Autohint = "フォント出力ダイアログのオートヒント設定に関わらず、強制的にオートヒンティングを施します。";

"Axis Location" = "フォント情報に入っているマスターまたはインスタンスの補間値を、バリアブルフォント使用時のユーザーインターフェイスに表示される値（対外値）に変更します。現在のデザインスペースの値がOpenType規格の推奨値に準拠していない場合に便利です。";

"Axis Mappings" = "Creates an `avar` table by mapping internal design coordinates to external coordinates exposed to the user. Put the internal coordinate into the left column, and the external coordinate in the right column. Or, add and edit values by clicking and dragging in the chart. The range for the internal coordinates is determined by the actual axis positions of the masters in *Font Info > Masters,* whereas the range for external coordinates is determined by the *Axis Location* parameters in *Font Info > Masters.*\n\nNote that axis mappings work only *per axis,* and cannot be adjusted for different positions of *other* axes. This is a limitation of the `avar` implementation, so you may have to compromise on one of the mappings or pick an average value as the target mapping.";

ascender = "フォント情報のアセンダー値を特定の文字体系でオーバーライドし、編集ビューでこちらが使用されます。パラメータの値には小文字で文字体系の名前、その次にコロン、その次に値を入力します（例：cyrillic: 720）。複数の文字体系で同じようなオーバーライドしたい場合は、その数だけこのパラメータを追加してください。";

blueFuzz = "BlueFuzz value. This corresponds to the Type 1/CFF BlueFuzz field. From the Type 1 specification: The number specifies the ‘units to extend (in both directions) the effect of an alignment zone on a horizontal stem. If the top of a horizontal stem is within BlueFuzz units (in character space) outside of a top-zone, the interpreter will act as if the stem top were actually within the zone; the same holds for the bottoms of horizontal stems in bottom-zones. The default value of BlueFuzz is 1.\n\nAdobe themselves state that BlueFuzz was intended to compensate ‘for slightly inaccurate coordinate data.’ They therefore suggest adjusting the alignment zones themselves as well as explicitly setting BlueFuzz to zero.\n‘Because a non-zero value for BlueFuzz extends the range of alignment zones, alignment zones must be declared at least (2 × BlueFuzz + 1) units apart from each other. Therefore, a default BlueFuzz value of 1 implies that alignment zones should be at least 3 units apart from each other.’\n[Adobe Type 1 Font Format](https://adobe-type-tools.github.io/font-tech-notes/pdfs/T1_SPEC.pdf) (PDF)";

blueScale = "PostScript BlueScale value. This corresponds to the Type 1/CFF BlueScale field. Controls the font size until which overshoot display is suppressed. Calculated as (pointsize at 300 dpi – 0.49) ÷ 240, e.g., 0.039625 for 10 points at 300 dpi. If you do not set the value yourself, blueScale defaults to 0.037, which corresponds to 9.37 points at 300 dpi or 39 pixels per em. This means that, in this case, overshoots will be visible if at least 40 pixels are used to display an em. The maximum blueScale value depends on the sizes of your alignment zones. The maximum pointsize at 300 dpi is calculated as 0.49 + 240 ÷ largest alignment zone size, which corresponds to a PPM (size in pixels per em) of 2.04 + 1000 ÷ largest alignment zone size. The product of (maximum pointsize – 0.49) × (largest alignment zone height) must be less than 240.\n\nFor example, your largest zone is 21 units deep, thus: 2.04 + 1000 ÷ 21 = 49.659, so the maximum PPM at which overshoots can be suppressed is 49. The corresponding maximum pointsize is 0.49 + 240 ÷ 21 = 11.919 points at 300 dpi, thus the blueScale value cannot exceed (11.919 – 0.49) ÷ 240 =  0.04762.\n[Adobe Type 1 Font Format](https://adobe-type-tools.github.io/font-tech-notes/pdfs/T1_SPEC.pdf) (PDF)";

blueShift = "PostScript BlueShift value. This corresponds to the Type 1/CFF BlueShift field. Default value is 7. Extends for very small glyph features beyond the font size indicated by blueScale. Overshoots inside an alignment zone are displayed if: (a) they are equal to or larger than BlueShift and (b) if they are smaller than BlueShift but larger than half a pixel. E.g. blueScale is set to suppress overshoots until 32 PPM, blueShift is 6, overshoots are 12 units deep. The stroke endings are slightly slanted and extend 5 units below the baseline. Between 0 and 32 PPM, the baseline will be kept completely level. Starting at 33 PPM, the overshoots will kick in. But the stroke endings will stay flat, because 5 units do not cover half a pixel until 100 PPM.\n[Adobe Type 1 Font Format](https://adobe-type-tools.github.io/font-tech-notes/pdfs/T1_SPEC.pdf) (PDF)";

capHeight = "フォント情報のキャップハイト値を特定の文字体系でオーバーライドし、編集ビューでこちらが使用されます。パラメータの値には小文字で文字体系の名前、その次にコロン、その次に値を入力します（例：adlam: 680）。複数の文字体系で同じようなオーバーライドしたい場合は、その数だけこのパラメータを追加してください。";

"Design Grid" = "グリフのボディ内に表示される点線の分割数で、漢字圏のグリフのデザインを想定しています。ただ数字を入れるだけでも機能しますが、「文字体系:水平,垂直」という書式での詳細設定もできます。（例：kana:4,8）。「漢字圏グリッド線数」パラメータと同じ機能です。";

"CJK Grid" = "漢字圏（CJK）のグリフ編集時に表示される点線のグリッドの分割数です。水平方向と垂直方向で分割数を変えたい場合は、漢字圏グリッド垂直線数（CJK Grid Vertical）と漢字圏グリッド水平線数（CJK Grid Horizontal）を使って個別に設定します。漢字圏ガイドと同じ要領で、特定の文字体系ごとに設定できます。";

"CJK Grid Horizontal" = "漢字圏（CJK）のグリフ編集時に表示される点線のグリッドの横方向の分割数です。漢字圏ガイドと同じ要領で、特定の文字体系ごとに設定できます。";

"CJK Grid Vertical" = "漢字圏（CJK）のグリフ編集時に表示される点線のグリッドの縦方向の分割数です。漢字圏ガイドと同じ要領で、特定の文字体系ごとに設定できます。";

"CJK Guide" = "漢字圏（CJK）のボディの内側に表示する長方形ガイドラインの大きさで、「90」は90パーセントです。これがあると、漢字や仮名のグリフのボディの内側にガイドラインを描画します。特定の文字体系にのみ表示させたい場合は、その文字の名前を小文字で書き、次にコロン、次に数字を入力します（例：kana:84）。複数を設定したい場合、その数だけ同じこのパラメータを追加してください。";

codePageRanges = "Sets the appropriate bits of the `ulCodePageRange1` and `ulCodePageRange2` entries in the `OS/2` table. ‘This field is used to specify the code pages encompassed by the font file in the cmap subtable for platform 3, encoding ID 1 (Microsoft platform).’ Every activated ‘code page is considered functional. Each of the bits is treated as an independent flag and the bits can be set in any combination. The determination of “functional” is left up to the font designer, although character set selection should attempt to be functional by code pages if at all possible.’\n[OpenType spec: OS/2 ulCodePageRange](https://learn.microsoft.com/typography/opentype/spec/os2#cpr)";

"Color Layers to SVG" = "CPALカラーフォント用のレイヤーデータがある場合、または「マスター描画色（Master Color）」カスタムパラメータが設定されている場合、SVGテーブルとして書き出します。このパラメータは、SVGカラーフォントを出力したい際には必要です。";

"Color Layers to COLR" = "If turned on, will produce `COLR` and `CPAL` tables with the color information stored in a color setup, from the masters that have a `Master Color` parameter.";

"Color Palette for CPAL" = "OpenTypeのCPALテーブルに出力したいカラーパレットの番号です。パレットの内容はマスターの「カラーパレット（Color Palettes）」カスタムパラメータで設定します。";

"Color Palette for SVG" = "OpenTypeのSVGテーブルに出力したいカラーパレットの番号です。パレットの内容はマスターの「カラーパレット（Color Palettes）」カスタムパラメータで設定します。「カラーレイヤーをSVGとして出力」カスタムパラメータとの併用を前提としています。";

"Color Palettes" = "Microsoft系のカラーフォント形式であるOpenTypeのCPAL/COLRテーブルで使うためのカラーパレット（使用する色のセット）を定義します。このパラメータがあると、Glyphsのフォントビューと編集ビューで色付きのプレビューが表示されます。";

"Compatible name Table" = "特定のMacアプリケーション（特にQuark XPressとFontExplorerなど）が参照する古い形式のnameテーブルを出力します。これらのアプリでのフォントスタイルのグルーピング結果が向上しますが、Microsoft Officeなど他のアプリでは崩れてしまうかもしれません。そのため、このパラメータの使用には注意を要します。";

"cvt Table" = "List of values for the `cvt` (control value table). When you open a TTF in Glyphs, the application will store the existing `cvt` values in this parameter. This is intended to preserve existing TT hinting for reexporting, and certainly not to be edited manually. Remove this parameter if you want to do your own TrueType instructioning.";

"Decompose Components in Variable Font" = "When exporting a (TT-based) variable font, all components will be decomposed to outlines. This option is intended to circumvent a CoreText rendering bug in macOS versions prior to Mojave 10.14.5, which affected the spacing of composite glyphs with changing LSB values under certain circumstances. Since the resulting variable font contains no more components, its file size can be expected to increase dramatically.";

"Decompose Components" = "TrueTypeフォント出力時にコンポーネントをすべて分解します。昔のmacOSのようにバリアブルフォントでコンポーネントが意図通りに表示されない環境で有効です。出力フォントのファイルサイズが増加します。またCFF形式のフォントではコンポーネントは常に分解されるため、効果がありません。";

"Decompose Glyphs" = "フォント出力時に、このパラメータ内にリストされているコンポーネントグリフを分解します。「グリフ名を変更」カスタムパラメータを使用して参照下のグリフの内容が変わってしまうなどのケースを防ぎたいときに便利です。";

"Decompose Brace Layers" = "In variable font exports, decompose components that point to glyphs with intermediate layers a.k.a. ‘brace layers’. Default is on.";

"Default Layer Width" = "新しく追加されるグリフとレイヤーの幅の初期値は600、漢字圏グリフは1000、コーナーコンポーネントでは200ユニットです。特定の文字体系の名前を小文字で入力し、次にコロン、次に任意のグリフ幅を入力すると（例：「cyrillic: 400」、「adlam: 450」）、その文字ではそれらのグリフ幅が初期値として使われます。複数の文字体系で変更したい場合、その数だけこのパラメータを追加してください。";

descender = "フォント情報のディセンダー値を特定の文字体系でオーバーライドし、編集ビューでこちらが使用されます。パラメータの値には小文字で文字体系の名前、その次にコロン、その次に値を入力します（例：arabic: -300）。複数の文字体系で同じようなオーバーライドしたい場合は、その数だけこのパラメータを追加してください。";

"Disable autohinting for glyphs" = "ここにリストされているグリフはPostScriptオートヒンティングされません（TTFのオートヒンティングはグリフごとに無効化できません）。花形装飾字形など、オートヒンティングが逆効果になりうるグリフを対象外にするために使います。";

"Disable Masters" = "指定されたマスターを無効化します。特殊なプロダクションのワークフローや、デザイン中のテストを目的としています（例：特定のマスターを除外して補間の結果を観察するため）。";

"Ignore out of bounds instances" = "Ignore all instances that are outside of the design space (e.g. when subsetting).";

"Disable Subroutines" = "CFFフォント出力時にアウトラインのサブルーチン実行されません。ポイント数が非常に多くてアウトライン構造が複雑すぎ、フォントが出力できない場合、また漢字圏フォントのようにグリフが大量にあり通常の出力では時間がかかりすぎるファイルを試験的に出力したいときに使用します。";

"Don't use Production Names" = "If checked, Glyphs will not automatically rename glyphs of the final font file according to the internal glyph database, but export the current glyph names. Some applications and systems, amongst which the text engine of OS X 10.4, expect the AGL naming scheme, though. This is equivalent to the *File > Font Info > Other Settings > Use Custom Naming* setting, and intended for users who want to employ their own custom naming scheme.";

"EditView Line Height" = "編集ビューの一行の高さを設定します。イレギュラーなメトリクスのフォントのデザインしていて、アプリケーション標準の行高が不十分であるときに便利です。出力されるフォントには影響しません。";

"Elidable STAT Axis Value Name" = "Declares the style name of the instance as elidable for the axis specified in the parameter’s value. As value, use the four-letter tag of the respective axis. Typically, you will add this parameter in the regular style, and you will add one for each axis for which the name is an elidable display string. Example: In a two-axis setup, an instance called Regular has two Elidable STAT Axis Value Name parameters, one with `wght` and one with `wdth` as parameter values. A display string is deemed elidable if it is left out when combined with other display strings. Usually this is the case for default-style names like ‘Regular’, ‘Normal’, or the like. The semibold weight combined with regular width is usually just called ‘Semibold’, not ‘Semibold Regular’; or the normal weight in combination with the italic style is simply called ‘Italic’, not ‘Regular Italic’. Thus, the display name ‘Regular’ is considered elidable.\n[OpenType spec: STAT, Style Attributes Header](https://learn.microsoft.com/typography/opentype/spec/stat#style-attributes-header)";

"Enforce Compatibility Check" = "マスター互換性のチェックを強制的に行います。通常、マスターの互換性はインスタンスが存在する場合に、その補間に直接関わるマスターの互換性のみがチェックされます。このパラメータはバリアブルフォントのデザイン時のように、インスタンスが設定されていない時でも互換性をチェックしたい時に便利です。";

"Export AAT" = "Apple Advanced Typography（AAT）インストラクションテーブルの出力の有無を切り替えます。「フォント情報 > フィーチャー」の「プレフィックス」にmorxデータが入っている場合、初期状態ではmorxテーブルが出力されます。それを意図的に阻止し、純粋なOpenTypeフォントを出力したいときにこのパラメータを使用します。";

"Export COLR Table" = "CPALとCOLRテーブルの出力の有無を切り替えます。CPAL/COLRテーブル出力の条件が全て整っている場合、初期状態では出力が実行されます。それを意図的に阻止したいときにこのパラメータを使用します。";

"Export Glyphs" = "このパラメータ内にリストアップされているグリフは、「フォント出力時に含める」のチェックの有無に関わらず、必ず含められます。";

"Export kern Table" = "On export, will write an old-style `kern` table in addition to the kern feature in the `GPOS` table. Only affects in TrueType exports (i.e., .ttf or TT-flavored webfonts). All group kerning will be expanded into all possible singleton pairs. This means that you will have to subset before using this parameter, otherwise you risk a table overflow. **Use of this parameter is strongly discouraged,** and only makes sense in rare edge cases where support of defunct or legacy software is necessary. **Only use it if you know what you are doing.**\n[OpenType spec: kern table](https://learn.microsoft.com/typography/opentype/spec/kern)";

"Export morx Table" = "morx（extended glyph metamorphosis）AATテーブルを挿入します。「フォント情報 &gt; フィーチャー &gt; プレフィックス」にmorxと名付けられ、MIFコード（metamorphosis input file）で書かれたプレフィックスを使用します。これを正しく機能させるには、Apple Font Toolsのftenhancerコマンドラインツールがインストールされている必要があります。詳細はApple Font Toolsの資料を参照してください。";

"Export OpenType" = "ほとんどのOpenTypeテーブルの出力の有無を切り替えます。もし無効化されていて、なおかつ「フォント情報 > フィーチャー」の「プレフィックス」にmorxデータが入っている場合、出力されたフォントは純粋なAATフォントとなります。";

"Export sbix Table" = "sbixテーブルの出力の有無を切り替えます。sbixテーブル出力の条件がすべて整っている場合、初期状態では出力が実行されます。それを意図的に阻止したいときにこのパラメータを使用します。";

"Export STAT Table" = "STATテーブルの出力の有無を切り替えます。STATテーブル出力の条件がすべて整っている場合、初期状態では出力が実行されます。それを意図的に阻止したいときにこのパラメータを使用します。";

"Export SVG Table" = "SVGテーブルの出力の有無を切り替えます。SVGテーブル出力の条件がすべて整っている場合、初期状態では出力が実行されます。それを意図的に阻止したいときにこのパラメータを使用します。";

"Family Alignment Zones" = "This parameter can help create a more consistent screen appearance at low resolutions, even if the overshoots differ in the individual weights. It is a good idea to reduplicate the alignment zones of the most important font in your family, usually of the Regular or Book instance. A rasterizer will then try to align all weights if the height difference between the individual weight and the family alignment is less than one pixel. Important: For this mechanism to work, family alignment zones must be compatible with the alignment zones set up in the masters.";

"Feature for Feature Variations" = "OpenTypeバリアブルフォントに含まれるグリフのデザイン切り替え（ブラケットトリックなど）のOpenTypeフィーチャー情報を定義します。初期状態ではrvrnフィーチャーです。";

fileName = "出力されるフォントファイル名を拡張子なしで指定します。他のインスタンスの設定によっては出力されるフォントが上書きされることがあるため、それを防ぐのに便利です。";

Filter = "Triggers Glyphs filters or app functions in an instance, after decomposition of composite glyphs. The values for the built-in filters are as follows:\n- **AddExtremes**\n- **Autohinting**\n- **HatchOutlineFilter;** OriginX: *x*; OriginY: *y*; StepWidth: *distance*; Angle: *angle*; Offset: *thickness*\n- **OffsetCurve;** *x*; *y*; *makestroke*; *position/auto*\n- **RemoveOverlap**\n- **Roughenizer;** *segmentlength*; *x*; *y*; *angle*\n- **RoundCorner;** *radius*; *visualcorrection*\n- **RoundedFont;** *stem*\n- **Transformations;** LSB: *±*‌shift*; RSB: *±*shift*; Width: *±shift*; ScaleX: *percent*; ScaleY: *percent*; Slant: *degrees*; SlantCorrection: *bool*; OffsetX: *amount*; OffsetY: *amount*; Origin: *select*\n\nReplace all words in italics with your values: The boolean values (*makestroke, visual correction, bool*) are 1 for yes and 0 for no. The value for *position/auto* must be a floating point number where 0.0 represents 0%, and 1.0 stands for 100%, or the string `auto` for *Auto Stroke.* The *stem* value in the *RoundedFont* syntax is optional. The *select* value in the *Transformations* syntax can be a number from 0 to 4, representing the five options displayed in *Filter > Transformations > Transform > Origin:* cap height (0), half cap height (1), x-height (2), half x-height (3), baseline (4).\n\nIf you want a filter to be applied only to some glyphs, add `include:` or `exclude:`, followed by space- or comma-separated glyph names, e.g., `RemoveOverlap; exclude:a,b,c`.\n\nIf you are using third-party filters, refer to their documentation for the parameter string. In particular, the include and exclude options may not be available.\n\nIf you want to apply filters before decomposition, use these values with a `PreFilter` parameter.";

"fpgm Table Assembly" = "fpgmテーブル（font program）のアセンブリコードです。TTFファイルをGlyphsで開く際、fpgmコードがあればこのパラメータに格納されます。そのTTFを再度出力する際に既存のヒンティングデータを保持するために使われ、手動での編集は想定していません。もし独自のTTヒンティングを施したい場合はこのパラメータを削除してください。";

fsType = "A list of bit numbers indicating the embedding type. The bit numbers are listed in the OpenType `OS/2` specification. Corresponds to the OpenType `OS/2` table fsType field. ‘Type flags. Indicates font embedding licensing rights for the font. Embeddable fonts may be stored in a document. When a document with embedded fonts is opened on a system that does not have the font installed (the remote system), the embedded font may be loaded for temporary (and in some cases, permanent) use on that system by an embedding-aware application. Embedding licensing rights are granted by the vendor of the font. The OpenType Font Embedding DLL Specification and DLL release notes describe the APIs used to implement support for OpenType font embedding and loading. Applications that implement support for font embedding, either through use of the Font Embedding DLL or through other means, must not embed fonts which are not licensed to permit embedding. Further, applications loading embedded fonts for temporary use (see Preview & Print and Editable embedding below) must delete the fonts when the document containing the embedded font is closed.’ You can set fsType to one of these five states:\n- *Installable:* ‘Fonts with this setting indicate that they may be embedded and permanently installed on the remote system by an application. The user of the remote system acquires the identical rights, obligations and licenses for that font as the original purchaser of the font, and is subject to the same end-user license agreement, copyright, design patent, and/or trademark as was the original purchaser.’\n- *Forbidden:* ‘Restricted License embedding: Fonts that have only this bit set must not be modified, embedded or exchanged in any manner without first obtaining permission of the legal owner.\n**Caution:** For Restricted License embedding to take effect, it must be the only level of embedding selected.’\n- *Editable:* ‘When this bit is set, the font may be embedded but must only be installed temporarily on other systems. In contrast to Preview & Print fonts, documents containing Editable fonts may be opened for reading, editing is permitted, and changes may be saved.’\n- *Preview & Print:* ‘When this bit is set, the font may be embedded, and temporarily loaded on the remote system. Documents containing Preview & Print fonts must be opened “read-only;” no edits can be applied to the document.’\n- *Subsetting forbidden:* ‘When this bit is set, the font may not be subsetted prior to embedding. Other embedding restrictions also apply.’\n[OpenType spec: OS/2 fsType](https://learn.microsoft.com/typography/opentype/spec/os2#fst)";

"Get Hints From Master" = "Defines which master is taken as source of manual PS and TT hints, sometimes also referred to as the ‘main master’. Hints set in other masters will be ignored. If not set, manually entered hints will be taken from the first master listed in *File > Font Info > Masters.* This also affects treatment of `TTFStems` and `TTFZones` parameters: only in the indicated master, the UI for those parameters will provide the delta and range buttons.";

glyphOrder = "ソースファイルと出力フォント両方でのグリフの順番です。1行に1つのグリフ名という形式のリストで書いてください。リストフィルターの形式も同じなので、中身をそのままコピーペーストすることもできます。ここにないグリフはフォントには含まれますが、このパラメータの順番の末尾に、Glyphsの標準的な並べ方で挙げられます。";

"Grid Spacing" = "Set the coordinate precision for the resulting CFF font, in font units. The value corresponds to the quotient of the Grid Spacing value divided by the Subdivision value in *File > Font Info > Other Settings.* At export time though, any Grid Spacing value smaller than 1.0 will result in coordinate precision a hundred times finer than the default unit-grid rounding. In other words, all parameter values smaller than 1 are equivalent to 0.01. The purposes of this parameter is to avoid too coarse rounding of point coordinates in very thin interpolations. Any Grid Spacing value equal to or larger than 1.0 will result in grid-unit rounding. In other words, it any value greater than 1.0 is equivalent to 1.0. The parameter has no effect on TrueType outlines, which cannot have higher coordinate precision.";

"Hangul Composition Groups" = "ハングル書体デザインでのコンポーネントのグループを定義します。キーとなる字母グリフと同様にフォーマットされたバリエーションを選び、複雑なハングルのコンポーネントグリフを自動的に作れるようにします。";

"Has WWS Names" = "OS/2テーブルのfsSelectionの8ビット目を設定します。OpenType仕様によれば、このビットは「フォントのnameテーブルの文字列が、nameテーブルID 21と22に頼ることなく『ウエイト・字幅・傾斜（weight/width/slope, WWS）』の命名形式に従っているかを示します。」このパラメータはフォントの命名方式が既にWWS式になっているときにのみ有用です。";

hheaAscender = "Height of the ascender as stored in the `hhea` (horizontal header) table. ‘Typographic ascent (distance from baseline of highest ascender).’\n\nThe `hhea` vertical metrics are mainly in use on Mac apps, including browsers on the Mac. Therefore, unless you have to maintain backwards compatibility with legacy software, it is recommended to keep the `hhea` values in sync with the `typo` values, and make sure that *Use Typo Metrics* (`fsSelection` bit 7) is switched on (it is on by default). For a detailed discussion of vertical metrics, see the [Vertical Metrics](https://glyphsapp.com/tutorials/vertical-metrics) tutorial.\n[OpenType spec: hhea](https://learn.microsoft.com/typography/opentype/spec/hhea)";

hheaDescender = "hheaテーブルのディセンダーの値を示す負の整数です。「タイポグラフィ的なディセンダー（ベースラインから最も深いディセンダーまでの距離）です。」hheaテーブルの値についての詳細はhheaアセンダーを参照してください。";

hheaLineGap = "hheaテーブルの行間の値を示すフォント推奨の数値です。「タイポグラフィ的な行間です。負の数は、特に古い環境によってはゼロとして扱われます。」hheaテーブルの値についての詳細はhheaアセンダーを参照してください。";

"Ignore Vertical Hints" = "In a TrueType export, will ignore all stem hints that are linked to a vertical stem definition, as set forth in a `TTFStems` parameter. Makes sense in exports intended for subpixel rendering, or for webfont exports where you want to keep the file size as small as possible. Only affects manual TT hinting, does not apply to TTF Autohint or PS hinting.";

"Import Font" = "Reference a different .glyphs file, and all glyphs of the referenced file that are not in the host font, will be hot-linked, in the order of their layers and masters, as if you had copied the glyphs from one file to the other. The glyphs will be visible and typeable in Font and Edit view, but locked. Useful for splitting design work between multiple users, or sharing smart components between files.";

"Import Master" = "Reference a master in different .glyphs file, and it will be hot-linked into the host file, as if you had added it into *File > Font Info > Masters.* Interpolation values must be set compatibly in both files. Add one parameter for each master you want to hot-link.";

"Instance Preview" = "「フォント情報 > インスタンス」で初期状態で表示されるAang126という文字列を変更します。";

InterpolationWeightY = "Vertical interpolation value for static font exports. In a static font instance, you can differentiate between interpolation along the x axis and interpolation along the y axis by introducing this custom parameter. For it to take effect, it must differ from the interpolation weight of the instance. Be careful, as this can lead to deformation in diagonals. We advice to keep the `InterpolationWeightY` close to the normal Weight interpolation value.\n\nE.g., there are two masters at weight 20 and 100, and an instance with a weight interpolation value of 50. The vertical stems look correct, but the horizontals look too thin. They would look right at 60, but then the verticals would appear too thick. So, you keep your instance at 50, but add the custom parameter InterpolationWeightY with a value of 60. Now, the vertical stems (x coordinates) are still interpolated with 50, and the horizontals (y coordinates) with 60.";

isFixedPitch = "postテーブルのisFixedPitchフラッグを設定します。これがあるとフォントが等幅とみなされます。アプリケーションはこの情報を使って、特定のフォントサイズでフォント内のすべてのグリフが同じピクセル数の字幅で表示されるという保証を得ます。プログラミングアプリケーションなどでフォントが選択できない場合はこれを追加してみると良いでしょう。\n\n**⚠️注意：このパラメータがあると、すべてのグリフ幅をspaceの幅に自動的に合わせます。**この挙動は、フォント情報のマスターに「.monospace」というカスタム数値を追加することで回避できます。";

italicAngle = "Overrides the Italic Angle value in *File > Font Info > Masters* either for a certain script or for the whole font. The values will be preferred for glyphs associated with the script in the Edit view. As value, enter the lowercase name of the script, followed by a colon and the value, e.g., `latin: 7`. Use multiple parameters for multiple scripts. The number must be an angle in clockwise degrees from the vertical. Also useful for upright fonts with an angle other than 0°, because macOS may interpret non-zero angles as italic. Affects the `CFF` table’s `ItalicAngle`, the `post` table’s `italicAngle`, the x offsets of the `OS/2` subscript and superscript values, as well as the `hhea` table’s `caretSlopeRise` and `caretSlopeRun` entries.\n[OpenType spec: OS/2](https://learn.microsoft.com/typography/opentype/spec/os2)\n[OpenType spec: post](https://learn.microsoft.com/typography/opentype/spec/post)\n[OpenType spec: CFF](https://learn.microsoft.com/typography/opentype/spec/cff)\n[OpenType spec: hhea](https://learn.microsoft.com/typography/opentype/spec/hhea)";

"Keep Glyphs" = "List of glyph names for all glyphs that will be kept in the exported font. All other glyphs will be discarded, and kerning and automatic feature code will be updated accordingly. Useful for webfont subsetting in order to achieve smaller file sizes\n\nCan use the same wildcards and category searches as the *Remove Glyphs* parameter. Uses of *Remove Glyphs* and *Keep Glyphs* are mutually exclusive.";

"Keep Overlapping Components" = "これが設定されていると、コンポーネントが重なっているCcedillaなどのグリフで、コンポーネント分解およびアウトライン合成が行われなくなります。TrueTypeフォントのポストプロダクションに便利です。CFF形式のフォントには効果がありません。";

"Keep Transformed Components" = "Does not decompose composite glyphs with transformed (horizontally or vertically scaled, or vertically shifted) components. Useful for post-production of TrueType fonts. For release-ready production, we do not recommend using this parameter, as it may interfere with TT hinting in affected glyphs. The parameter has no effect on CFF exports.";

"Keep UI-Font Bounding Box" = "Prevents conjuncts from stacking below in South Asian scripts, by altering the automated feature code for the `cjct` feature accordingly. Useful for intended use in environments where vertical stacking is limited, e.g., in user interfaces, hence the name. Currently only implemented for Oriya.";

"Link Metrics With First Master" = "これが有効だと、一番目（最上位）以外のマスターのグリフ幅とカーニングが、一番目のマスターのものと常に同期されます。実質、最初のマスターのみスペース調整とカーニングすればよいことになります。特にファミリー全体を通して字幅やカーニングを変化させたくないフォント（重ねて使う複数レイヤーのフォントなど）を作る場合に便利です。";

"Link Metrics With Master" = "「メトリクスを最初のマスターと同期」パラメータと同じですが、最初のマスターではなく特定のマスター名を指定します。このパラメータを使うときは、同名のマスターが複数存在しないようにしてください。";

"Extra Sync Metrics Threshold for Linked Masters" = "For Linked Masters, the metrics are sometimes slightly off (e.g. for Italics). Allow a slightly bigger threshold to avoid too many warnings.";

"Local Interpolation" = "Apply different interpolation values for specified glyphs. The string must contain a semicolon-separated list of interpolation values for each axis, followed by another semicolon, an `include:` statement and a comma-separated list of glyph names. For a single-axis setup, a single interpolation value suffices. E.g., `120; include: a, g, s` uses interpolation value 120 just for the glyphs a, g and s, while all other glyphs are interpolated according to the interpolation value of the respective instance.";

"Master Background Color" = "マスターのキャンバスカラーです。このパラメータが設定されたマスターが選択された時、編集ビューのキャンバスが選択した色に変化します。";

"Master Background Color Dark" = "マスター背景色と同様ですが、ダークモード用です。";

"Master Color" = "設定されたマスターのアウトラインの描画色を変更します。複数のフォントを重ねて使う想定のレイヤーフォントの制作に便利です。Glyphs内でのみ有効で、出力されるOpenTypeフォントファイルには影響しません。";

"Master Color Dark" = "マスター描画色と同様ですが、ダークモード用です。";

"Master Icon Glyph Name" = "マルチプルマスターファイルで、フォントファイルの左上に現れる各マスターのアイコンに使うグリフの名前です。";

"Master Stroke Color" = "設定されたマスターのアウトラインの輪郭線の色を変更します。全レイヤー選択ツール（shift-V）を使用中に表示されます。Glyphs内でのみ有効で、出力されるOpenTypeフォントファイルには影響しません。";

"Master Stroke Color Dark" = "マスター輪郭線色と同様ですが、ダークモード用です。";

"Name Table Entry" = "A custom entry for the OpenType `name` table. The syntax is one of the following three:\n- `nameID; nameString`\n- `nameID platformID; nameString`\n- `nameID platformID encID langID; nameString`\nIf not specified, `platformID` will be assumed as 3, and successively, `encID` as 1 (Unicode), and `langID` as 0x0409 (Windows English). If only `platformID` is specified as 1, then both `encID` and `langID` will be assumed as 0 (Mac Roman, and Mac English).\n\nThe `nameID` can be anything except 1, 2, 3, 5, and 6, which cannot be set through this parameter. The `platformID` can either be 1 for Macintosh or 3 for Windows. The optional `encID` and `langID` represent either Windows or Macintosh encoding and language IDs, depending on the platformID. They must be numbers between 0 and 65536, and can be entered in decimal, octal or hexadecimal form. The AFDKO Syntax specification stipulates that ‘decimal numbers must begin with a non-0 digit, octal numbers with a 0 digit, and hexadecimal numbers with a 0x prefix to numbers and hexadecimal letters a-f or A-F.’\n[OpenType spec: Platform, encoding and language IDs](https://learn.microsoft.com/typography/opentype/spec/name#platform-encoding-and-language-ids)";

"Prevent Name ID" = "Will prevent the export of the specified name table entry.  Add multiple parameters for multiple name IDs. E.g. if you want Glyphs not to export IDs 16 (Typographic Family Name) and 17 (Typographic Subfamily Name), add two of these parameters, once with 16 and once with 17 as value.";

note = "自由な内容のメモです。メモの内容は.glyphsファイルにとどまり、出力されるフォントファイルには記録されません。データはフォント情報の「メモ」タブと同じです。";

"Optical Size" = "Builds the *Optical Size* OpenType feature (feature tag `size`), with encoded size menu names, for static font exports. Requires a string with five semicolon-separated values:\n- *design size:* size in decipoints (tenths of points) the font was designed for;\n- *subfamily identifier:* arbitrary integer; different fonts with the same number can be grouped together in an optical size submenu, if the software supports it;\n- *range start:* decipoint size of the size above which the font is supposed to be used for;\n- *range end:* decipoint size of the size until (and including) which the font is supposed to be used for;\n- *size menu name:* submenu name for the optical size, e.g., ‘Display’, ‘Subhead’, ‘Small’, or ‘Caption’.\n\n*Example:* ‘100; 1; 69; 120; Ten’ will create a size feature that specifies 10 points as the intended design size, the range in which it is supposed to be used is 7 to 12 points, and the optical size name is ‘Ten’. Other fonts that use 1 as subfamily identifier and ‘Ten’ as name, can be grouped together.\n[OpenType spec: Optical size](https://learn.microsoft.com/typography/opentype/spec/features_pt#tag-size)";

panose = "Once you click in the Value field, a dialog will appear that allows you to determine the setting for each category in the PANOSE specification. This corresponds to the ten ‘panose’ fields in the OpenType `OS/2` table. ‘This 10 byte series of numbers is used to describe the visual characteristics of a given typeface. These characteristics are then used to associate the font with other fonts of similar appearance having different names. […] The PANOSE values are fully described in the PANOSE “greybook” reference, currently owned by Monotype Imaging. The PANOSE definition contains ten digits each of which currently describes up to sixteen variations. Windows uses `bFamilyType`, `bSerifStyle` and `bProportion` in the font mapper to determine family type. It also uses bProportion to determine if the font is monospaced. If the font is a symbol font, the first byte of the PANOSE number (`bFamilyType`) must be set to “pictorial.”&nbsp;’ At the time of this writing, PANOSE is not required to make a font work anywhere, and, to our knowledge, is hardly in use.\n[OpenType spec: OS/2 PANOSE](https://learn.microsoft.com/typography/opentype/spec/os2#panose)\n[Monotype: PANOSE Classification Metrics Guide](https://monotype.github.io/panose/)";

"Point To Unit Ratio" = "1DTPポイントがフォントの何ユニットに該当するのかを定義する整数値です。これによりPDFの出力スケールおよびクリップボードにコピーされるアートワークの内容が決まります。ベクトルデータをAffinity DesignerやSketchなどのサードパーティー間でやり取りする際に便利です。";

"Post Table Type" = "インスタンスに含まれるpostテーブルのバージョンで、初期状態ではTTF用には2、CFF用には3です。";

preferredFamilyNames = "Typographic (a.k.a. ‘preferred’) family name. Corresponds to name ID 16 in the OpenType `name` table. Setting this parameter only makes sense if it is different from the Family Name (name ID 1) as set in *File > Font Info > Font.*\n\n‘The typographic family grouping doesn’t impose any constraints on the number of faces within it, in contrast with the 4-style family grouping (ID 1), which is present both for historical reasons and to express style linking groups. If name ID 16 is absent, then name ID 1 is considered to be the typographic family name.’\n[OpenType spec: name ID 16](https://learn.microsoft.com/typography/opentype/spec/name#nid16)";

preferredSubfamilyNames = "Typographic (a.k.a. ‘preferred’) subfamily name. Corresponds to name ID 17 in the OpenType `name` table. Setting this parameter only makes sense if it is different from the Style Name (name ID 2) as set in *File > Font Info > Instances.*\n\n‘This allows font designers to specify a subfamily name within the typographic family grouping. This string must be unique within a particular typographic family. If it is absent, then name ID 2 is considered to be the typographic subfamily name.’\n[OpenType spec: name ID 17](https://learn.microsoft.com/typography/opentype/spec/name#nid17)";

PreFilter = "デザイン時に使えるフィルターと同じですが、フォント出力時にコンポーネントの自動分解前の段階で実行されます。バリアブルフォントには適用できません。";

"prep Table Assembly" = "prepテーブル（Pre-Program or Control Value Program）のアセンブリコードです。TTFファイルをGlyphsで開く際、prepコードがあればこのパラメータに格納されます。そのTTFを再度出力する際に既存のヒンティングデータを保持するために使われ、手動での編集は想定していません。もし独自のTTヒンティングを施したい場合はこのパラメータを削除してください。";

"Preview Ascender" = "編集ビュー下部のプレビュー部分の、ベースラインからの上限の値です。プレビューの領域を拡大縮小したいときや、アセンダーの値が大きすぎてプレビューからはみ出す場合に便利です。初期値は1000です。";

"Preview Descender" = "「プレビュー用アセンダーハイト」パラメータと同様で、ベースラインからプレビュー領域の下限を「正の整数」で定義します。このパラメータがなければwinDescentの値が使われ、それもなければフォント情報のディセンダー値が使われます。";

"Reencode Glyphs" = "Takes a list of `glyphname=unicodevalue` pairs, e.g., `smiley=E100`, `logo=E101`, etc. Assign *multiple* Unicode values with a comma as separator, e.g., `hyphen=002D,2010`. The parameter assigns the Unicode value to the glyph with the specified name at export. Should the Unicode value in question already be assigned to another glyph, the Unicode value of that other glyph will be deleted, but all production names will remain intact. It will *remove* a glyph’s Unicode assignment if the Unicode value is left out, e.g., `f_f_i=` and `f_f_j=` will strip `f_f_i` and `f_f_j` from their Unicode value.";

"Remove Classes" = "ここにリストアップされているOpenTypeクラスの出力を阻止します。これは出力インスタンスに文字セットの変更があり、手動で書かれたクラスのコードがエラーを出してしまう場合に便利です。自動生成されたクラスに関しては、Glyphsが自動で対処できますのでこのパラメータを使う必要はありません。";

"Remove Features" = "ここにリストアップされているOpenTypeフィーチャーの出力を阻止します。これは特定のグリフ名のせいで意図的せず自動生成されるフィーチャーを削除したい場合や、特定のインスタンスで手動で書いたフィーチャーを削除したい場合に便利です。自動生成されたフィーチャーの内容がグリフセットの変更などの理由で影響を受ける場合に関しては、Glyphsが自動で対処できますのでこのパラメータを使う必要はありません。";

"Remove Glyphs" = "Will prevent the glyphs and groups of glyphs mentioned in the list from being exported into the font. Automatically generated OpenType features respect changes in the glyph structure, e.g., if you remove all smallcap glyphs, then it will not auto-generate the `smcp` or `c2sc` features. Useful for subsetting. Per line, you can use:\n\n- **glyph name:** the full unabridged glyph name as it appears in Font view. You can copy a list of glyph names by invoking the context menu on a glyph selection and choosing *Copy Glyph Names > One per line.*\n\n- **wildcard:** use an asterisk before, inside or after a string. Examples:\n- `*ogonek` will find Aogonek, aogonek, Eogonek, eogonek, etc.\n- `K*` will find K, Kcommaaccent and K.ss01.\n- `H*.ss01` will find H.ss01, Hbar.ss01 and Hcircumflex.ss01.\n\n- **category:** use the `category=value` syntax to match glyphs dynamically. If `value` is a string, you can use wildcards. Possible categories are:\n- `name` The glyph name, equivalent to the glyph name searches described above.\n- `unicode` The first Unicode value of the glyph, e.g., `unicode=03*` excludes all glyphs that have Unicode values between 0300 and 03FF.\n- `note` The note of the glyph, e.g., `note=*delete*` will remove all glyphs that have the word delete in their glyph note.\n- `script` The writing system that is assigned to the glyph, e.g., `script=thai` will remove all Thai glyphs from the font. The spelling of the script is case-sensitive and needs to be exactly as displayed in *Window > Glyph Info.*\n- `category` The group the glyph belongs to as displayed in *Window > Glyph Info,* e.g., `category=Symbol` will remove all glyphs defined as symbol.\n- `subCategory` The subcategory as displayed in *Window > Glyph Info,* e.g., `subCategory=Lowercase` will remove all lowercase glyphs from the exported OpenType font.\n- `production` The production name the glyph is assigned at export.\n- `leftMetricsKey`, `rightMetricsKey`, `widthMetricsKey`, `topMetricsKey`, `bottomMetricsKey`, `vertWidthMetricsKey` The metrics key for LSB, RSB, width, top, bottom or vertical width, e.g., `widthMetricsKey=*.tf*` removes all glyphs where the width is synced with a tabular figure.\n- `leftKerningGroup`, `rightKerningGroup`, `topKerningGroup`, `bottomKerningGroup` The kerning group of a glyph, e.g., `leftKerningGroup=s` removes all glyphs that have a left kerning group called ‘s’.\n- `colorIndex` The color index of CPAL/COLR layers. E.g., assume you defined a color palette with blue at color index 2, then `colorIndex=2` would remove all blue shapes from the exported color font. \n- `countOfLayers` Number of layers a glyph has. E.g., `countOfLayers=4` removes all glyphs that have 4 layers (including the master layers).\n- `mastersCompatible` Whether the glyph is interpolatable through all masters or not. E.g., `mastersCompatible=0` removes all incompatible glyphs from the export.\n- `export` Whether the glyph is set to export or not. This also affects glyphs that are contained as components in others. E.g., `export=0` will remove all non-exporting glyphs from the export, including components if the referenced base glyph is not exporting, as well as corners, caps and smart glyphs.\n- `isAnyColorGlyph` Whether the glyph is a COLR/CPAL, sbix, or full color glyph or not, e.g., `isAnyColorGlyph=0` removes all non-color glyphs from the font.\n- `isAppleColorGlyph` Whether the glyph has an iColor layer for the `sbix` table or not.\n- `hasSpecialLayers` Whether the glyph has a bracket or brace layer or not, e.g., `hasSpecialLayers=1` will remove all glyphs with a bracket or brace layer.";

"Remove post names for webfonts" = "ウェブフォント出力時にグリフ名を除去します。こうすることでファイルサイズの軽減が見込めます。";

"Remove Prefixes" = "「フォント情報 > フィーチャー」にあるOpenTypeフィーチャーのプレフィックスの中から、削除したいプレフィックス名をリストアップします。このパラメータ内にあるプレフィックスはOpenTypeフォント出力時に無視されます。";

"Rename Glyphs" = "二つのグリフ名を入れ替えます。「旧名=新名」の形式でリストを作りましょう（例：e.bold=e, g.alt=g）。当該のグリフの旧名は新名となり、新名だったグリフは九名になります。これに影響を受けるグリフがコンポーネントとして使われている場合、それらも自動的に入れ替わり、自動生成フィーチャーも自動で更新され、「出力時に含める」のチェックの有無も交換されます。もし片方のグリフを出力したくない場合、「含める」設定を正しく設定しておくか、「グリフを除去」または「グリフを強制出力」パラメータを併用してください。";

"Replace Class" = "Replaces OpenType class code with custom code. The first word must be the class name (without the at sign), followed by a semicolon, and the new class code. Works only if the class exists in *File > Font Info > Features.* This is only necessary for manually set up classes. Automatically generated classes update automatically.";

"Add Class" = "OpenTypeクラスを追加します。最初にクラスの名前（@は付けない）、次にセミコロン、その次にクラスのコードを入力してください。";

"Replace Feature" = "指定されたOpenTypeフィーチャーの中身を変更します。最初の4文字は変更したいフィーチャー名で（例：liga）、次にセミコロン、次に新しいフィーチャーコードを入力します。「フォント情報 > フィーチャー」で同名のフィーチャーが既に存在する場合にのみ有効です。";

"Add Feature" = "OpenTypeフィーチャーを追加します。最初にフィーチャータグ名、次にセミコロン、その次にフィーチャーのコードを入力してください。このフィーチャーはOpenTypeフィーチャーのリストの最後尾に追加されます。";

"Replace Prefix" = "「フォント情報 > フィーチャー」にあるOpenTypeフィーチャーのプレフィックスの中から、特定のプレフィックスの内容を変更します。まずプレフィックス名、次にセミコロン、次に修正内容のコードを入力します。";

"Add Prefix" = "OpenTypeプレフィックスを追加します。最初にプレフィックスの名前、次にセミコロン、その次にプレフィックスのコードを入力してください。";

ROS = "Sets the ROS (Registry, Ordering, Supplement) for fonts with a Character To Glyph Index Mapping Table (`cmap`). Currently available values are the public ROSes:\n- `Adobe-CNS1-6`\n- `Adobe-GB1-5`\n- `Adobe-Japan1-3`\n- `Adobe-Japan1-6`\n- `Adobe-Korea1-2`\n- `Adobe-Identity-0`\nIf you use `Adobe-Identity-0`, a `GSUB` table will be generated from the available OpenType features. Otherwise, the cmap and `GSUB` resources supplied by Adobe are used.\n\nFrom the Adobe CMap and CIDFont Files Specification, Version1.0: ‘Both the CIDFont and the CMap must use CIDs from compatible character collections. The identification of the character collection is accomplished by placing version control information into each CIDFont and CMap file. To identify a character collection uniquely, three name components are concatenated with a hyphen:\n* a registry name is used to identify an issuer of orderings, usually Adobe;\n* an ordering name is used to identify an ordered character collection; and,\n* a supplement number is used to indicate that the ordered character collection for a registry, ordering, and previous supplement has been changed to add new characters assigned CIDs beginning with the next available CID.\n\nThese three pieces of information taken together uniquely identify a character collection. In a CIDFont, this information declares what the character collection is. In a CMap, this information specifies which character collection is required for compatibility. A CMap is compatible with a CIDFont if the registry and ordering are the same. If the supplement numbers are different, some codes may map to the CID index of 0.’";

"Save as TrueType" = "フォント出力ダイアログの内容に関わらず、フォントを強制的にTrueType形式で出力します。";

"Save as CFF" = "Exports the instance as CFF/Postscript, regardless of the settings in the *File > Export* dialog.";

"SBIX to SVG" = "このパラメータが有効だと、sbix用に作られたビットマップデータをSVGカラーテーブルに出力します。SVGテーブルはビットマップ形式もベクトル形式もサポートしており、このパラメータを使ってsbixフォントと同じ見た目をSVG形式を通して再現でき、結果としてフォントの互換性を向上できます。「sbixテーブルを出力」パラメータを追加した上でチェックを外しておくと、SVGテーブルが出力され、sbixテーブルは含まれなくなり、純粋なSVGカラーフォントが得られます。";

"Scale to UPM" = "フォント出力時に、設定されたUPMサイズに拡大縮小します。これはフォントのUPMをTrueType形式でよくある2048に変更したりする際、また1000以外のUPM以外でデザインを進めており、出力時にのみ1000UPMに設定したいときなどに有効です。";

shoulderHeight = "中東系や南アジア、東南アジア系の文字体系での文字の高さの値です。これらの文字をデザインする際、xハイトの代わりに表示されます。アラインメントゾーンの自動生成アルゴリズムは、この値を参照します。";

smallCapHeight = "スモールキャップの高さです。アラインメントゾーンの自動生成アルゴリズムは、この値を参照します。スモールキャップのグリフが編集ビューで表示され、「表示 > メトリクスを表示」が有効になっているとき、スモールキャップハイトがxハイトの代わりに表示されます。";

"Smart Components Compatibility Mode" = "";

"Smart Components MM Mode" = "";

strikeoutPosition = "打ち消し線の上辺の高さのフォント推奨値です。OS/2テーブルのyStrikeoutPositionに該当します。初期状態では50です。「ベースラインからの距離を表す正の数です。負の数を入力するとベースラインより下に表示されます。emダッシュの高さと揃えることが推奨されます。ただし、打ち消し戦の高さの設定によって文字が読めなくなることは避けたいため、eのクロスバーなどと重なる高さは避けるべきです。」";

strikeoutSize = "打ち消し線の太さの値です。OS/2テーブルのyStrikeoutSizeに該当します。初期状態では50です。「一般的に、打ち消し線の太さはフォント内のemダッシュの太さ、およびアンダーラインの太さと合致すべきです。」";

"Style Name as STAT entry" = "For variable fonts, takes the instance style name as combinable display string for an axis position. As value, use the four-letter axis tag to which the display string applies. Use this only in instances that are non-normal on one axis and normal on all others. That is because the normal attributes have elidable names and do not appear in the style name (e.g., ‘Semibold’ or ‘Condensed’).\n\nExample: In the Light instance, use this parameter with the value `wght`, because Light is a value on the weight axis. The Light instance is non-normal on the `wght` axis, but normal (i.e., not condensed nor extended) on the `wdth` axis.\n[OpenType spec: STAT](https://learn.microsoft.com/typography/opentype/spec/stat)";

styleMapFamilyNames = "Family name used for RIBBI style mapping (regular, italic, bold, bold italic). Corresponds to OpenType `name` table ID&nbsp;1. You can use this to create subfamilies within larger font families. ‘Up to four fonts can share the Font Family name, forming a font style linking group.’ Glyphs uses the entries in Style Name field and in the Style Linking section in the Instances tab of the Font Info for linking the four individual weights.\n[OpenType spec: name ID 1](https://learn.microsoft.com/typography/opentype/spec/name#nid1)";

subscriptXOffset = "下付き文字を自動生成するサイズの横方向の移動量で、イタリック角度が設定されていないフォントではゼロに設定されているべきです。OS/2テーブルのsubscriptXOffsetに該当します。\n\n「下付き文字の横方向移動量パラメータはフォントデザイナーの推奨する横方向の移動量で、元となるグリフの原点から下付きグリフの原点までの移動量を表します。もしフォントがアプリケーションの要求する下付き文字を用意していない場合、アプリケーションはリアルタイムに同フォントまたは他のフォントから必要な文字を縮小して作れるようにします。このパラメータは下付き文字で推奨されるグリフの横方向の移動量を表します。通常はゼロですが、イタリック傾斜角がゼロでないグリフに関しては、傾斜を考慮して横方向に調整する必要があります。」";

subscriptXSize = "下付き文字を自動生成する際の横サイズです。OS/2テーブルのsubscriptYSizeに該当します。\n\n「フォントが下付き文字の推奨サイズの情報を有している場合、このサイズが優先されるべきです。このサイズ情報は下付き文字として使用されるフォントのemサイズ（全角）を表します。横方向のフォントサイズはこのフォントでフォントデザイナーが推奨する下付き文字の横方向のサイズを定義します。もしフォントがアプリケーションの要求する下付き文字を用意していない場合、アプリケーションはリアルタイムに同フォントまたは他のフォントから必要な文字を縮小して作れるようにします。このパラメータは下付き文字で推奨されるグリフ幅を表します。例えば、全角ユニット数が2048でsubscriptYSizeが205と設定されている場合、目的のサイズは1/10であるため、横方向のサイズは標準的なグリフの1/10の値を入力します。」";

subscriptYOffset = "下付き文字を自動生成する際の縦方向の移動量で、通常はベースラインから下がる量を正の整数で入力します。OS/2テーブルのsuperscriptXOffsetに該当します。。OS/2テーブルのsubscriptYOffsetに該当します。\n\n「下付き文字の縦方向移動量パラメータはフォントデザイナーの推奨する縦方向の移動量で、元となるグリフのベースラインから下付きグリフのベースラインまでの移動量を表します。値はベースラインから下への移動量を正の整数で表されます。もしフォントがアプリケーションの要求する下付き文字を用意していない場合、アプリケーションはリアルタイムに同フォントまたは他のフォントから必要な文字を縮小して作れるようにします。このパラメータは下付き文字で推奨されるグリフの縦方向の移動量を表します。」";

subscriptYSize = "下付き文字を自動生成する際の縦サイズです。OS/2テーブルのsubscriptYSizeに該当します。詳細は下付き文字の横方向拡大率（subscriptXSize）を参照してください。";

superscriptXOffset = "上付き文字を自動生成する際の横の移動量で、イタリック角度が設定されていないフォントではゼロに設定されているべきです。OS/2テーブルのsuperscriptXOffsetに該当します。。OS/2テーブルのsuperscriptXOffsetに該当します。詳細は下付き文字の横方向移動量（subscriptXOffset）を参照してください。";

superscriptXSize = "上付き文字を自動生成する際の横サイズです。OS/2テーブルのsuperscriptXSizeに該当します。詳細は下付き文字の横方向拡大率（subscriptXSize）を参照してください。";

superscriptYOffset = "上付き文字を自動生成する際の縦の移動量で、ベースラインからの移動量を正の整数で入力します。OS/2テーブルのsuperscriptXOffsetに該当します。OS/2テーブルのsuperscriptYOffsetに該当します。詳細は下付き文字の縦方向移動量（subscriptYOffset）を参照してください。";

superscriptYSize = "上付き文字を自動生成する際の縦サイズです。OS/2テーブルのsuperscriptYSizeに該当します。詳細は下付き文字の横方向拡大率（subscriptXSize）を参照してください。";

"TrueType Curve Error" = "Maximum deviance of the approximated TrueType curve in units. Default is 0.6. A higher curve error allows the TrueType converter to use fewer quadratic splines to approximate the cubic splines of your design. This can result in a significantly smaller `glyf` table (containing the quadratic outline data), and smaller overall file size.";

"TrueType Keep GlyphOrder" = "Keeps the glyph order as it is in the .glyphs file, except `.notdef` and `space` which always have to be in the first two positions. If disabled (the default), the font will resort the first four glyphs to: `.notdef`, `NULL`, `CR`, `space`. While `NULL` and `CR` will only be reordered if they exist in the .glyphs file, `.notdef` and `space` will be automatically generated if they are missing. **Use this parameter only if you know what you are doing.**";

"TTFAutohint binary path" = "File path to a precompiled TTFAutohint binary that should be used instead of the built-in TTFAutohint. This can be useful if you need to stick to a specific version or want to employ a newer version of TTFAutohint than Glyphs incorporates.";

"TTFAutohint control instructions" = "This allows you to specify TTFAutohint control instructions. It is recommended to prepare the control code in a separate file and then paste it into the value of the parameter. Possible instructions are:\n- `glyphnames left pointIDs offset`\n- `glyphnames right pointIDs offset`\n- `glyphnames nodir pointIDs`\n- `glyphnames touch pointIDs xshift x yshift y @ PPMs`\n- `glyphnames point pointIDs xshift x yshift y @ PPMs`\n\nValues for `offset` are optional and assumed as zero when omitted. In the `touch` and `point` instructions, either or both of the shifts can be specified. `x` and `y` must be between 0.0 and 1.0. `glyphnames` can be one or more comma-separated glyph names, specified as production names (i.e., the names as they are written into the font file). `PPMs` can be a single PPM size, a size range of PPMs with a hyphen, or a comma-separated list of sizes and size ranges. A line that starts with a hashtag `#` is considered a comment and therefore ignored. The instructions can be abbreviated with their respective first letters, e.g., ‘right’ can be written as ‘r’.";

"TTFAutohint options" = "Specifies commandline options for the TrueType autohinter ‘ttfautohint’. Use the dialog sheet to configure your settings:\n- *Hint Set Range:* the PPM range for which the instructions will be optimized. Large ranges can cause huge file sizes.\n- *Default Script:* ‘default script for OpenType features’.\n- *Fallback Script:* ‘default script for glyphs that can’t be mapped to a script automatically’.\n- *Hinting Limit:* the PPM size ‘where hinting gets switched off’.  Default is 200 pixels, must be larger than the maximum of the hint set range. Pixel sizes up to this size use the hinting configuration for the range maximum.\n- *Fallback Stem Width:* ‘the horizontal stem width (hinting) value for all scripts that lack proper standard characters in the font. The value is given in font units and must be a positive integer. If not set, ttfautohint uses a hard-coded default (50 units at 2048 units per em, and linearly scaled for other UPM values, for example 24 units at 1000 UPM).’ For symbol fonts, you also need to specify a Fallback Script ‘to set up a script at all’.\n- *x-Height Increase Limit:* from this pixel size down to 6 PPM, the x-height is more likely to be rounded up. Default is 14 PPM. ‘Normally, ttfautohint rounds the x height to the pixel grid, with a slight preference for rounding up. (…) Use this flag to increase the legibility of small sizes if necessary.’ Set to 0 if you want to switch off rounding up the x-height. \n- *x-Height Snapping Exceptions:* ‘list of comma-separated PPM values or value ranges at which no x-height snapping shall be applied’, e.g., ‘8, 10-13, 16’ disables x-height snapping for sizes 8, 10, 11, 12, 13, and 16. An empty string means no exceptions, and a mere dash (‘-’) disables snapping for all sizes.\n- *Adjust Subglyphs (formerly known as Pre-Hinting):* If enabled, ‘makes a font’s original bytecode be applied to all glyphs before it is replaced with bytecode created by ttfautohint. This makes only sense if your font already has some hints in it that modify the shape even at EM size (normally 2048px); in particular, some CJK fonts need this because the bytecode is used to scale and shift subglyphs (hence the option’s long name). For most fonts, however, this is not the case.’\n- *Dehint:* Disables all TT hinting, and therefore overrides all other options. Use only for testing.\n- *Detailed Info:* if enabled, adds ‘ttfautohint version and command line information to the version string or strings (with name ID 5) in the font’s `name` table. This option is mutually exclusive’ with the *No Autohint Info* option. ‘If neither is set, the string “ttfautohint (vNNN)” gets added to the `name` table’, NNN being the ttfAutohint version.\n- *Hint Composites:* ‘By default, the components of a composite glyph get hinted separately. If this flag is set, the composite glyph itself gets hinted (and the hints of the components are ignored). Using this flag increases the bytecode size a lot, however, it might yield better hinting results – usually, it doesn’t.’ Also adds a ghost component called .ttfautohint to all glyphs. ‘Direct rendering of the .ttfautohint subglyph (this is, rendering as a stand-alone glyph) disables proper hinting of all glyphs in the font! Under normal circumstances this never happens because .ttfautohint doesn’t have an entry in the font’s `cmap` table.’ But it can happen, e.g., in a glyph overview.\n- *Ignore Restrictions:* ‘By default, fonts that have bit 1 set in the fsType field of the `OS/2` table are rejected. If you have a permission of the font’s legal owner to modify the font, specify this command line option.’\n- *No Autohint Info:* if checked, prevents adding ‘ttfautohint version and command line information to the version string or strings (with name ID 5) in the font’s `name` table.’\n- *Symbol Font:* ‘Process a font that ttfautohint would refuse otherwise because it can’t find a single standard character for any of the supported scripts. For all scripts that lack proper standard characters, ttfautohint uses a default (hinting) value for the standard stem width instead of deriving it from a script’s set of standard characters (for the latin script, one of them is character ‘o’). Use this option – usually in combination with the Fallback Script and/or Fallback Stem Width option – to hint symbol or dingbat fonts or math glyphs, for example.’\n- *ttfa table:* Adds an OpenType table ‘called `TTFA` to the output font that holds a dump of all parameters. In particular, it lists all ttfautohint control instructions (which are not shown in the name table info). This option is mainly for archival purposes so that all information used to create a font is stored in the font itself. Note that such a `TTFA` table gets ignored by all TrueType rendering engines. Forthcoming versions of the ttfautohint front-ends will be able to use this data so that a font can be processed another time with exactly the same parameters, thus providing a means for round-tripping fonts.’\n- *Windows Compatibility:* ‘This option makes ttfAutohint add two artificial blue zones, positioned at the `winAscent` and `winDescent` values (from the font’s `OS/2` table). The idea is to help ttfAutohint so that the hinted glyphs stay within this horizontal stripe since Windows clips everything falling outside.’ Use this option if clipping occurs in Microsoft Windows and you cannot adjust `winAscent` and `winDescent` instead (which would usually be the better option). In combination with ‘-’ as value for xHeight Snapping Exceptions (see above), it should both ‘suppress any vertical enlargement’ and ‘prevent almost all clipping.’\n- *Strong Stems:* specifies which algorithm to use ‘for computing horizontal stem widths and the positioning of blue zones’ for the three rendering targets: Grayscale (Android), GDI ClearType (old Windows versions including XP), DW ClearType (IE 9 and later, and Windows 7 and later). If disabled, stems will be quantized: ‘Both stem widths and blue zone positions are slightly quantized to take discrete values. For example, stem values 50, 51, 72, 76, and 100 would become 50, 74, and 100 (or something similar). More glyph shape distortion but increased contrast.’ If enabled, stems will be strong: ‘Stem widths and blue zones are snapped and positioned to integer pixel values as much as possible. This gives high contrast, but glyph shape distortion can be significant.’";

TTFDontPreserveDiagonals = "In manual TT hinting, the apparent angles of slanted stems are preserved, even when another stem crosses it and threatens to make it appear broken. E.g. in an uppercase A, the two diagonal stems are preserved in their angles, even though a (hinted) crossbar interrupts the outline in their middles. With this parameter, stem angles are *not* preserved. Technically, the parameter suppresses (projections onto) freedom vectors. Useful for making TT hinting smaller, e.g., for webfont export.";

TTFOvershootSuppressionBelowPPM = "The pixel size (PPM) up to which overshoots are reliably flattened out. Only applies to manual TT hinting, not ttfAutohint.";

TTFStems = "A list of stem definitions for TrueType manual hinting only. When you click in the parameter value, a dialog sheet will drop down. Use the gear menu to add or remove stem definitions, or import the currently available horizontal PostScript stems from the Horizontal Stems and Vertical Stems fields in *File > Font Info > Masters.* For each stem, you can define an orientation, a name and a width. In the main master, a delta and a globe symbol will be shown in addition: they provide access to dialogs for defining PPM deltas as well as a glyph filter for the stem in question. Add stems by pressing on the plus button, and remove a stem by selecting it and clicking the minus button.\n- *Orientation:* Switch between horizontal stem (e.g., for the crossbars in e, f, t, or the top and bottom curves of o, c, e, a)  and vertical stem (e.g., for the vertical stems of h, m, n, u, or the left and right curves of o)  by clicking on the double arrow symbol.\n- *Name:* The stem name is arbitrary, but should be unique. Will show up in the pop-up menu in the grey info box when the TT Instructor tool (I) is active and a stem hint (S) is selected.\n- *Width:* The average size of the stem towards which the stems will be rounded. Also, when applying the Autohint command from the context menu of the TT Instructor tool (I),  stems will be identified with this size.\n- *Deltas:* PPM-specific size adjustments for the effective pixel-size of a stem in an instance. In any PPM/instance field, click repeatedly to switch between no change (blank field), size increase (arrow up), size decrease (arrow down). The deltas are only accessible in the first master, or the master defined in the Get Hints From Master parameter.\n- *Filter (Scope):* Define the glyph scope of the stem by adding logical filters. Click on the plus button to add additional filters, and the minus button to remove a selected filter. Opt-click on the plus button to add logical AND and OR operators for the following (indented) conditions. Available filters are Name, Category, Subcategory and Script. TrueType stems with a scope will only be available in glyphs that fulfill the logical conditions of its scope. Scopes are only accessible in the first master, or the master defined in the Get Hints From Master parameter.";

TTFZones = "A list of zone definitions for horizontal TrueType stems, in manual TrueType hinting only. When you click in the parameter value, a dialog sheet will drop down. Use the gear menu to add or remove zone definitions, or import the currently available (PostScript) zones from *File > Font Info > Masters > Metrics.* For each zone, you can define a name, a position, a size and an alignment. In the main master, a delta and a globe symbol will be shown in addition: they provide access to dialogs for defining PPM deltas as well as a glyph filter for the zone in question. Add zones by pressing on the plus button, and remove a zone by selecting it and clicking the minus button.\n- *Name:* The zone name is arbitrary, but should be unique. Will show up in the pop-up menu in the grey info box when the TT Instructor tool (I) is active and an align hint (A) is selected.\n- *Position:* Position of the zone, or ‘flat end’ of overshooting shapes, similar to alignment zones in PostScript.\n- *Size:* Size of the zone, or distance from ‘flat end’ to the outermost edge of overshooting shapes. Use positive values for top zones, negative values for bottom zones. If the zone size is calculated to be less than half a pixel in any given PPM size, any hinted shape that reaches into the zone will be flattened to the same height.\n- *Align:* Link a zone to another zone with the Align option. If a zone is aligned to another, the distance between the zone positions is rounded and applied to the zone. This will result in more consistent transitions when you step your font through pixel sizes. Use this for heights that are very close to each other, perhaps even overlapping, and may appear next to each other in typesetting, and where it may be perceived as problematic if the heights diverge too far in low-res pixel renderings, e.g., align the small-cap height to the x-height. Aligned zones will be displayed at the same height if the difference is less than half a pixel in a given PPM size; and at least one pixel apart if the difference is half a pixel or more.\n- *Delta:* PPM-specific position rounding for the effective pixel-size of each zone in each instance. In any PPM/instance field, click repeatedly to switch between no change (blank field), shifting up (arrow up), shifting down (arrow down). The deltas are only accessible in the first master, or the master defined in the *Get Hints From Master* parameter.\n- *Filter (Scope):* Define the glyph scope of the stem by adding logical filters. Click on the plus button to add additional filters, and the minus button to remove a selected filter. Opt-click on the plus button to add logical AND and OR operators for the following (indented) conditions. Available filters are Name, Category, Subcategory and Script. TrueType stems with a scope will only be available in glyphs that fulfil the logical conditions of its scope. Scopes are only accessible in the first master, or the master defined in the *Get Hints From Master* parameter.\n\nTTF Family Zones: If added to *File > Font Info > Font* (rather than *Masters*), the zone values will be used as family-wide alignment zones until the PPM size defined in the *TTFFamilyZonesThreshold* parameter.";

TTFZoneSize = "Either scale zone sizes by a certain ammount (use percentage from 0–100, default: 100) or set it to a fixed value (use the size+u (e.g. `34u`))";

typoAscender = "The height of the ascenders in units. Corresponds to the OpenType `OS/2` table `sTypoAscender` field. \n\n‘The typographic ascender for this font. This field should be combined with the `typoDescender` and `typoLineGap` values to determine default line spacing.\nThis field is similar to the `hheaAscender` field as well as to the `winAscent` field. However, legacy platform implementations used those fields with platform-specific behaviors. As a result, those fields are constrained by backward-compatibility requirements, and they do not ensure consistent layout across implementations. The `typoAscender`, `typoDescender` and `typoLineGap` fields are intended to allow applications to lay out documents in a typographically-correct and portable fashion.\nThe `Use Typo Metrics` flag (`fsSelection` bit 7) is used to choose between using sTypo* values or usWin* values for default line metrics.\nIt is *not* a general requirement that `typoAscender` - `typoDescender` be equal to unitsPerEm. These values should be set to provide default line spacing appropriate for the primary languages the font is designed to support.\n\nFor CJK (Chinese, Japanese, and Korean) fonts that are intended to be used for vertical (as well as horizontal) layout, the required value for `typoAscender` is that which describes the top of the ideographic em-box. For example, if the ideographic em-box of the font extends from coordinates 0,-120 to 1000,880 (that is, a 1000 × 1000 box set 120 design units below the Latin baseline), then the value of `typoAscender` must be set to 880. Failing to adhere to these requirements will result in incorrect vertical layout.\n\nFor a detailed discussion of vertical metrics, see the [Vertical Metrics](https://glyphsapp.com/tutorials/vertical-metrics) tutorial.\n[OpenType spec: OS/2 sTypoAscender](https://learn.microsoft.com/typography/opentype/spec/os2#stypoascender)";

typoDescender = "A *negative* integer describing the depth of the descenders in units. Corresponds to the `sTypoDescender` field of the OpenType `OS/2` table.\n\n‘The typographic descender for this font. This field should be combined with the `typoAscender` and `typoLineGap` values to determine default line spacing.’ See `typoAscender` for more details.\n[OpenType spec: OS/2 sTypoDescender](https://learn.microsoft.com/typography/opentype/spec/os2#stypodescender)";

typoLineGap = "The recommended whitespace between lines, measured in units. Corresponds to the OpenType `OS/2` table `sTypoLineGap` field.\n\n‘The typographic line gap for this font. This field should be combined with the `typoAscender` and `typoDescender` values to determine default line spacing.’ See `typoAscender` for more details.\n[OpenType spec: OS/2 sTypoLineGap](https://learn.microsoft.com/typography/opentype/spec/os2#stypolinegap)";

underlinePosition = "アンダーラインの上辺の高さのフォント推奨値です。マイナスだとベースラインより下の位置になります。postテーブルのunderlinePositionに該当します。初期値は-100です。";

underlineThickness = "アンダーラインの太さの値です。postテーブルのunderlineThicknessに該当します。初期状態では50です。「一般的に、アンダーラインの太さはフォント内のアンダースコア（U+005F）の太さ、およびOS/2テーブルで定義される打ち消し線（strikeout）の太さと合致すべきです。」";

unicodeRanges = "A list of supported Unicode ranges in the font. Corresponds to the OpenType `OS/2` table `ulUnicodeRange1`, `ulUnicodeRange2`, `ulUnicodeRange3` and `ulUnicodeRange4` fields. The dialog offers a search field, so you can quickly spot the proper ranges for your fonts. E.g., if you want to cover all Latin ranges, simply search for ‘latin’ and all corresponding ranges in the list will be displayed.\n\n‘If a bit is set, then the Unicode ranges assigned to that bit are considered functional. If the bit is clear, then the range is not considered functional. Each of the bits is treated as an independent flag and the bits can be set in any combination. The determination of “functional” is left up to the font designer, although character set selection should attempt to be functional by ranges if at all possible.’";

"Update Features" = "OpenTypeのフィーチャーの自動生成を強制します。これはグリフセットが頻繁に変わるフォントのプロダクションフローで有用です。また明示的にオフにした場合、フィーチャーが自動生成されなくなります。";

"Use Extension Kerning" = "If checked, additional kern lookups will be created with a `GPOS` Extension lookup type (a.k.a. lookup type 9), allowing the font to store more kerning values. Use this when the attempt to export your font results in an offset overflow error in the `GPOS` table, and you cannot or do not want to delete kern pairs, especially exceptions.\n\n‘This lookup provides a mechanism whereby any other lookup type’s subtables are stored at a 32-bit offset location in the `GPOS` table. This is needed if the total size of the subtables exceeds the 16-bit limits of the various other offsets in the `GPOS` table. In this specification, the subtable stored at the 32-bit offset location is termed the “extension” subtable.’";

"Use Line Breaks" = "If checked, line breaks inside OpenType features will not be escaped (i.e., not replaced with `\\012`) when stored in a .glyphs file. If unchecked, can facilitate version control, and thus makes sense, e.g., in a git-based workflow.";

"Use Typo Metrics" = "If checked, applications that respect this setting (in particular, versions of Microsoft Office since 2006) will prefer `typoAscender`, `typoDescender`, and `typoLineGap` over `winAscent` and `winDescent` for determining the vertical positioning. Default is on. Corresponds to bit 7 (‘don’t use Win line metrics’) in the `OS/2` table `fsSelection` field. According to Adobe’s MakeOTF User Guide, this bit was introduced ‘so that reflow of documents will happen less often than if Microsoft just changed the behavior for all fonts.’\n\nMicrosoft: ‘If set, it is strongly recommended that applications use typoAscender − typoDescender + typoLineGap as the default line spacing for this font.’\n\n‘In variable fonts, default line metrics should always be set using the `typoAscender`, `typoDescender` and `typoLineGap` values, and the Use Typo Metrics flag should be set. The ascender, descender and lineGap fields in the hhea table should be set to the same values as `typoAscender`, `typoDescender` and `typoLineGap`. The `winAscent` and `winDescent` fields should be used to specify a recommended clipping rectangle.’\n[OpenType spec: OS/2 fsSelection](https://learn.microsoft.com/typography/opentype/spec/os2#fsselection)";

"Variable Font Family Name" = "バリアブルフォント出力時のファミリー名です。通常のフォントとバリアブルフォントが同時に使われる際には、ファミリー名を分ける方がいいこともあるでしょう。";

"Variable Font File Name" = "バリアブルフォントのファイル名です。通常は自動的に末尾が「VF.tff」となりますが、これを変更したい場合に使用します。";

"Variable SubfamilyName" = "Style name for the variable font’s origin master, the (default) outlines stored in the exported variable font.";

vendorID = "Four-character identifier for the creator of the font, consisting of printable ASCII characters (U+0020 through U+007E) only. Corresponds to the `achVendID` field in the OpenType `OS/2` table. If not set, Glyphs will use `UKWN` (‘unknown’) as Vendor ID. ‘This is not the royalty owner of the original artwork. This is the company responsible for the marketing and distribution of the typeface that is being classified. For example, there may be multiple vendors of ITC Zapf Dingbats, with some vendors providing differentiating benefits in their fonts (more kern pairs, unregularized data, hand hinted, etc.). This identifier will allow for the correct vendor’s type to be used over another, possibly inferior, font file.\n\nMicrosoft maintains a [registry of vendor IDs](https://learn.microsoft.com/typography/vendors/). Registered IDs must be unique to a single vendor. Non-registered IDs can also be used, but are discouraged: vendors are strongly encouraged to [register an ID](https://learn.microsoft.com/typography/vendors/register) to ensure that there are no conflicts between different vendors in use of a given ID, and that customers are able to find vendor contact information for a given font. This field can also be left blank (set to null, or a tag comprised of four space characters).’\n[OpenType spec: OS/2 achVendID](https://learn.microsoft.com/typography/opentype/spec/os2#achvendid)\n[Microsoft: Register a font vendor ID](https://learn.microsoft.com/typography/vendors/register)\n[Microsoft: Registered font vendors](https://learn.microsoft.com/typography/vendors/)";

"vheaVertAscender" = "縦組みでのアセンダーの値です。OpenTypeのvheaテーブルのvertTypoAscenderの値に該当します。\n\n「フォントの縦組み時のアセンダーの値です。表意文字の全角の中心線をベースラインとしたとき、全角の右端までの距離をユニットで表したものです。通常は全角（UPM）の半分で、フォントのUPMが1000の場合は500と入力します。」";

"vheaVertDescender" = "Descender value for vertical typesetting, typically a negative number. Corresponds to the `vertTypoDescender` field in the OpenType `vhea` table.\n\n‘The vertical typographic descender for this font. It is the distance in units from the ideographic em-box center baseline for the vertical axis to the left edge of the ideographic em-box. It is usually set to −UPM ÷ 2. For example, a font with an em of 1000 units will set this field to −500.’\n[OpenType spec: vhea](https://learn.microsoft.com/typography/opentype/spec/vhea)";

"vheaVertLineGap" = "Line gap value for vertical typesetting. Corresponds to the `vertTypoLineGap` field in the OpenType `vhea` table.\n\n‘The vertical typographic gap for this font. An application can determine the recommended line spacing for single spaced vertical text for an OpenType font by the following expression: ideographic embox width + vertTypoLineGap.’\n[OpenType spec: vhea](https://learn.microsoft.com/typography/opentype/spec/vhea)";

"Virtual Master" = "Defines a font master for a variable font, thereby extending its design space accordingly. Rather than a ‘real’ master, which is defined in *File > Font Info > Masters,* a virtual master can only be drawn in the form of a Brace layer, i.e., a glyph layer with a name consisting of or ending in the comma-separated design space coordinates between curly braces, e.g., ‘{100, 300}’. A virtual master makes most sense for design axes that only apply to a limited number of glyphs, e.g., an axis that controls the middle crossbar heights of letters like A, E, F and H. The main advantages are that only affected glyphs need to be managed, and kerning does not need to be redone for an extra ‘real’ master.";

"Webfont Formats" = "このパラメータが指定されているインスタンスでは、リストアップされているウェブフォント形式がフォント出力ダイアログの設定にかかわらず出力されます。TTF、EOT、WOFF、WOFF2の4種類が選択可能です。";

"Webfont Only" = "これを有効化すると、デスクトップフォント向けのフォント情報を削除します。こうすることでウェブフォントをデスクトップに変換したりシステムにインストールするのが難しくなるため、違法コピーされにくくなります。出力されるフォントは厳密に言えば破損したウェブフォントですが、ブラウザ上ではウェブフォントとして機能します。";

winAscent = "A positive integer describing the top extremum of the font rendering box for Windows, beyond which glyph renderings may be clipped. Thus, `winAscent` should be high enough to include all parts of all important glyphs. Corresponds to the `usWinAscent` field in the OpenType `OS/2` table.\n\n‘The “Windows ascender” metric. This should be used to specify the height above the baseline for a clipping region. This is similar to the `typoAscender` field, and also to the `hheaAscender` field. There are important differences between these, however. In the Windows GDI implementation, the `winAscent` and `winDescent` values have been used to determine the size of the bitmap surface in the TrueType rasterizer. Windows GDI will clip any portion of a TrueType glyph outline that appears above the `winAscent` value. If any clipping is unacceptable, then the value should be set greater than or equal to yMax.\n*Note:* This pertains to the default position of glyphs, not their final position in layout after data from the `GPOS` or `kern` table has been applied.\nSome legacy applications use the `winAscent` and `winDescent` values to determine default line spacing. This is strongly discouraged. The `typoAscender`, `typoDescender` and `typoLineGap` fields should be used for this purpose.\nNote that some applications use either the `winAscent `/`winDescent` values or the `typoAscender`/`typoDescender`/`typoLineGap` values to determine default line spacing, depending on whether the `Use Typo Metrics` flag is set. This may be useful to provide compatibility with legacy documents using older fonts, while also providing better and more-portable layout using newer fonts. Applications that use the `typoAscender`/`typoDescender`/`typoLineGap` fields for default line spacing can use the `winAscent`/`winDescent` values to determine the size of a clipping region. Some applications use a clipping region for editing scenarios to determine what portion of the display surface to re-draw when text is edited, or how large a selection rectangle to draw when text is selected. Early versions of this specification suggested that the `winAscent` value be computed as the yMax for all characters in the Windows ANSI character set. For new fonts, the value should be determined based on the primary languages the font is designed to support, and should take into consideration additional height that may be required to accommodate tall glyphs or mark positioning.’\n\nFor a detailed discussion of vertical metrics, see the [Vertical Metrics](https://glyphsapp.com/tutorials/vertical-metrics) tutorial.\n[OpenType spec: OS/2 usWinAscent](https://learn.microsoft.com/typography/opentype/spec/os2#uswinascent)";

winDescent = "A *positive* integer describing the bottom extremum of the font rendering box for Windows, or ‘the vertical extent below the baseline for a clipping region’. Thus, `winDescent` should be large enough to encompass the descenders of lowercase letters like g, p, q, and y. Corresponds to the `usWinDescent` field of the OpenType `OS/2` table.\n\n‘Early versions of this specification suggested that the `winDescent` value be computed as -yMin for all characters in the Windows ANSI character set. For new fonts, the value should be determined based on the primary languages the font is designed to support, and should take into consideration additional vertical extent that may be required to accommodate glyphs with low descenders or mark positioning.’\n[OpenType spec: OS/2 usWinDescent](https://learn.microsoft.com/typography/opentype/spec/os2#uswindescent)";

"Write DisplayStrings" = "これを無効化すると、編集ビューのテキスト内容を.glyphsファイルに保存しなくなります。gitやSubversionなどのバージョンコントロールシステムで無意味な更新を避けたいときに便利です。初期状態では有効です。";

"Write lastChange" = "これを無効化すると、最後に修正された日時の情報を.glyphsファイルに保存しなくなります。バージョンコントロールシステムで無意味な更新を避けたいときに便利です。初期状態では有効です。";

TTFBlueFuzz = "Much like PostScript’s BlueFuzz, extends the range of TrueType alignment zones by the given amount in both directions. Default and fallback value is 1. Only affects zones defined in the TTFZones parameter.";

TTFZoneRoundingThreshold = "Controls the likelihood of a positive zone being pushed up a pixel. It takes a small decimal number as value, typically something around 0.1 or 0.2. The value is added to any positive zone position before rounding, and added twice to the x-height zone (the one named ‘xHeight’ in the TTFZones parameter). Default is 0.09375.\n\nExample: At a certain font size, the smallcap zone ends up at 6.45 pixels, and the x-height at 5.25 pixels. Without any change, the smallcap zone would round and snap to a height of 6 pixels, while the x-height would end up with 5 pixels. If you set a value of 0.2, the smallcap height ends up at (6.45+0.2=6.65≈) 7 pixels, and the x-height at (5.25+2×0.2=5.65≈) 6 pixels.";

TTFMinimumDistance = "Any hinted stem will be drawn with this minimum length in pixels, no matter which PPM size, if it has a stem hint applied to it. The default is 0.25. This value can be important in small pixel sizes, where small parts are in danger of disappearing.";

"gasp Table" = "Sets the `gasp` table (‘grid-fitting and scan-conversion procedure’) for TrueType fonts. It controls the two PPM thresholds at which the recommended on-screen rendering behavior changes. The `gasp` table contains rendering recommendations for both a traditional grayscale and a ClearType subpixel renderer. However, keep in mind that a renderer may ignore the data stored herein.\n\n‘This table contains information which describes the preferred rasterization techniques for the typeface when it is rendered on grayscale-capable devices. This table also has some use for monochrome devices, which may use the table to turn off hinting at very large or small sizes, to improve performance.’\nThe default threshold sizes are 8 and 20 PPM. Because there are two thresholds, three ranges can be differentiated:\n- *no hinting & symmetric:* Until the first threshold size, no gridfitting is applied, and text is rendered with antialiasing wherever possible. ‘At very small sizes, the best appearance on grayscale devices can usually be achieved by rendering the glyphs in grayscale without using hints.’\n- *hinting & asymmetric:* Between the two threshold sizes, the renderer is recommended to apply gridfitting and suppress grayscale. ‘At intermediate sizes, hinting and monochrome rendering will usually produce the best appearance.’ In ClearType, the matter is handled asymmetrically, i.e., vertical gridfitting is applied, while horizontally, subpixel rendering is used.\n- *hinting & symmetric:* Beyond the thresholds, the rasterizer is instructed to apply gridfitting and render the shapes in grayscale. ‘At large sizes, the combination of hinting and grayscale rendering will typically produce the best appearance.’ The ClearType rasterizer is instructed to apply symmetric smoothing, i.e., to use anti-aliasing in y direction in addition to horizontal subpixel rendering. ‘At display sizes on screen, […] this new improvement of the Windows font renderer produces smoother and cleaner-looking type’ (Now Read this: The Microsoft Cleartype Font Collection, Microsoft 2004, p. 14).\n[OpenType spec: gasp](https://learn.microsoft.com/typography/opentype/spec/gasp)";

"GASP Table" = "Sets the `gasp` table (‘grid-fitting and scan-conversion procedure’) for TrueType fonts. It controls the two PPM thresholds at which the recommended on-screen rendering behavior changes. The `gasp` table contains rendering recommendations for both a traditional grayscale and a ClearType subpixel renderer. However, keep in mind that a renderer may ignore the data stored herein.\n\n‘This table contains information which describes the preferred rasterization techniques for the typeface when it is rendered on grayscale-capable devices. This table also has some use for monochrome devices, which may use the table to turn off hinting at very large or small sizes, to improve performance.’\nThe default threshold sizes are 8 and 20 PPM. Because there are two thresholds, three ranges can be differentiated:\n- *no hinting & symmetric:* Until the first threshold size, no gridfitting is applied, and text is rendered with antialiasing wherever possible. ‘At very small sizes, the best appearance on grayscale devices can usually be achieved by rendering the glyphs in grayscale without using hints.’\n- *hinting & asymmetric:* Between the two threshold sizes, the renderer is recommended to apply gridfitting and suppress grayscale. ‘At intermediate sizes, hinting and monochrome rendering will usually produce the best appearance.’ In ClearType, the matter is handled asymmetrically, i.e., vertical gridfitting is applied, while horizontally, subpixel rendering is used.\n- *hinting & symmetric:* Beyond the thresholds, the rasterizer is instructed to apply gridfitting and render the shapes in grayscale. ‘At large sizes, the combination of hinting and grayscale rendering will typically produce the best appearance.’ The ClearType rasterizer is instructed to apply symmetric smoothing, i.e., to use anti-aliasing in y direction in addition to horizontal subpixel rendering. ‘At display sizes on screen, […] this new improvement of the Windows font renderer produces smoother and cleaner-looking type’ (Now Read this: The Microsoft Cleartype Font Collection, Microsoft 2004, p. 14).\n[OpenType spec: gasp](https://learn.microsoft.com/typography/opentype/spec/gasp)";

"Variable Font Origin" = "バリアブルフォントファイルで使用される親マスターです。他のすべてのマスターとインスタンスは、ここで指定されたマスターからのデルタ値としてアクセスされます。";

"Variation Font Origin" = "バリアブルフォントファイルで使用される親マスターです。他のすべてのマスターとインスタンスは、ここで指定されたマスターからのデルタ値としてアクセスされます。";

"Variable Font Style Name" = "バリアブルフォント出力時のスタイル名です。通常のフォントとバリアブルフォントが同時に使われる際には、スタイル名を分ける方がいいこともあるでしょう。";

variableStyleName = "バリアブルフォント出力時のスタイル名です。通常のフォントとバリアブルフォントが同時に使われる際には、スタイル名を分ける方がいいこともあるでしょう。";

DisableAllAutomaticBehaviour = "フォント出力時に発生する自動処理のほとんどを無効化します。\n・「.notdef」と「space」グリフの入れ替え\n・ゼロ幅指定のスペースや発音記号のゼロ幅化";

"MakeOTF Compatibility Mode" = "If checked, the font created by Glyphs will have its OpenType Layout tables comparable to that created by Adobe’s makeotf program. This can be useful when the feature code for those tables was written with specific makeotf behavior in mind, or if the font is meant to be used in applications that rely on makeotf-compatible output.";

styleMapStyleNames = "フォントのサブファミリー名です。OpenTypeのnameテーブルID 2に該当します。";

"Variable Font Optimize Deltas" = "バリアブルフォントにおいてアウトラインのどのポイントも0.5ユニット以上動かない場合、OpenTypeバリエーションのデルタを無効化します。通常は有効です。重要性の低いデルタを保持したい場合にもこのパラメータを無効化してください。";

"Optimize Variable Deltas" = "バリアブルフォントにおいてアウトラインのどのポイントも0.5ユニット以上動かない場合、OpenTypeバリエーションのデルタを無効化します。通常は有効です。重要性の低いデルタを保持したい場合にもこのパラメータを無効化してください。";

familyNames = "フォントのファミリー名です。フォント情報の「フォント > ファミリー名」の表記をオーバーライドします。OpenTypeのnameテーブルID 1と4に該当し、ID 3、4、6の自動生成にも使用されます。";

designers = "書体デザイナーの名前です。フォント情報の「フォント > デザイナー」の表記をオーバーライドします。OpenTypeのnameテーブルID 9「書体デザイナーの名前」に該当します。";

designerURL = "書体デザイナーのURLです。フォント情報の「フォント > デザイナーURL」の表記をオーバーライドします。OpenTypeのnameテーブルID 12「書体デザイナーURL」に該当します（http://やftp://などのプロトコル名も含めたアドレス）。";

manufacturers = "製造者の名前です。フォント情報の製造者の内容をオーバーライドします。OpenTypeのnameテーブルID 8「製造者の名前」に該当します。";

manufacturerURL = "製造者または販売者のURLです。フォント情報の製造者 URLをオーバーライドします。OpenTypeのnameテーブルID 11に該当します。「フォント販売者のURLです（http://やftp://などのプロトコル名も含めたアドレス）もし固有のシリアルナンバーがURLに含まれている場合、フォントのユーザー登録に使えます。";

copyrights = "著作権表記です。フォント情報のフォントタブにある著作権表記をオーバーライドします。OpenTypeのnameテーブルID 0「著作権表記」に該当します。";

versionString = "Version string. Corresponds to the OpenType `name` table ID 5. Should begin with the syntax `Version <number>.<number>` (with a space between “Version” and the number). A placeholder string into which the version number will be inserted automatically, e.g., `Version %d.%03d`, where %d stands for an integer, and %03d for integer represented with three digits, e.g., `008`.\nThe string must contain a version number of the following form: one or more digits (0-9) of value less than 65,535, followed by a period, followed by one or more digits of value less than 65,535. Any character other than a digit will terminate the minor number. A character such as “;” is helpful to separate different pieces of version information.\nThe first such match in the string can be used by installation software to compare font versions. Note that some installers may require the string to start with “Version ”, followed by a version number as above.\n[OpenType spec: name ID 5](https://learn.microsoft.com/typography/opentype/spec/name#nid5)";

versionMajor = "versionMajor. Overwrites first part of the version number set in the font";

versionMinor = "versionMinor. Overwrites second part of the version number set in the font";

licenses = "ライセンス情報です。OpenTypeのnameテーブルID 13に該当します。「フォントの用法を法的に定めたり、他のライセンス形式を入力するシナリオを想定しています。このテキストは平易な言葉で書かれるべきで、法文書のような言葉遣いは避けるべきです。」";

licenseURL = "ライセンス情報のURLです。OpenTypeのnameテーブルID 14に該当します。「フォントのライセンスについての追加情報をここで提供できます。http://などのプロトコルから始めてください。」";

trademarks = "商標の情報です。OpenTypeのnameテーブルのID 7に該当します。Microsoftによると、「これはフォントに関しての商標情報を格納する場所です。ここに記す内容は法律の専門家の監修を受けたものを記してください。商標表記は著作権表記とは明確に違うものです。」";

descriptions = "フォントの説明です。OpenTypeのnameテーブルID 10に該当します。「書体の説明です。更新履歴や推奨する用途、制作の経緯、機能紹介などが考えられます。」";

sampleTexts = "出力されるフォントに含まれるサンプルテキストです。OpenTypeのnameテーブルID 9に該当します。「これの内容はフォント名や、デザイナーがこのフォントに合羽と考えるサンプルテキストなどが考えられます。」このサンプルテキストは例えばAppleのFont Bookで、サンプル表示でフォントが選択されたときに表示されます。";

postscriptFullNames = "Name to be used for the FullName field in `CFF` table as well as for name table ID 4 (full font name). This is the complete name of the font as it is supposed to appear to the user, and is thus allowed to contain spaces, e.g., ‘My Font Bold Condensed Italic’. Do not confuse with postscriptFontName (see above).\n\nSome systems match the family name ‘against the FullName for sorting into family groups.’ Therefore, the family name ‘must match the corresponding portion of the FullName, and be suitable for display in font menus. All fonts that are stylistic variations of a unified design should share the same FamilyName. […] The FullName begins with a copy of the FamilyName and is completed by adding style attributes — generally in this sequence: weight, width, slope, optical size’ (Adobe Technote #5088). The full name ‘would typically be a combination of name IDs 16 and 17’ (typographic family and subfamily names), ‘without needing any additional qualifications regarding “Regular”’. [OpenType spec: name ID 4](https://learn.microsoft.com/typography/opentype/spec/name#nid4)";

postscriptFontName = "PostScript name of the font. Corresponds to the OpenType `name` table ID 6. Should be ASCII-only, short (for maximum backwards compatibility less than 30 characters long), and no whitespace allowed, e.g., ‘MyFont-BoldCdIt’. Do not confuse with postscriptFullName.\n\n‘The FontName generally consists of a family name (specifically, the one used for FamilyName), followed by a hyphen and style attributes in the same order as in the FullName. For compatibility with the earliest versions of PostScript interpreters and with the file systems in some operating systems, Adobe limits the number of characters in the FontName to 29 characters. As with any PostScript language name, a valid FontName must not contain spaces, and may only use characters from the standard ASCII character set. If abbreviations are necessary to meet the 29 character limit, the abbreviations should be used for the entire family’ (Adobe Technote #5088).\n\nAdobe recommends these abbreviations for style names: \n- **Bd** for Bold\n- **Bk** for Book\n- **Blk** for Black\n- **Cm** for Compressed\n- **Cn** for Condensed\n- **Ct** for Compact\n- **Dm** for Demi *(prefix)*\n- **Ds** for Display\n- **Ex** for Extended\n- **Hv** for Heavy\n- **Ic** for Inclined\n- **It** for Italic\n- **Ks** for Kursiv *(German for: Italic)*\n- **Lt** for Light\n- **Md** for Medium\n- **Nd** for Nord *(style name introduced for Antique Olive)*\n- **Nr** for Narrow\n- **Obl** for Oblique\n- **Po** for Poster\n- **Rg** for Regular\n- **Sl** for Slanted\n- **Sm** for Semi *(prefix)*\n- **Su** for Super\n- **Th** for Thin\n- **Ult** for Ultra *(prefix)*\n- **Up** for Upright\n- **X** for Extra *(prefix)*\n[OpenType spec: name ID 6](https://learn.microsoft.com/typography/opentype/spec/name#nid6)";

variablePostscriptFontName = "PostScript name of the variable font instance. Corresponds to the OpenType `name` table ID 6 and the postscriptName for NamedInstance entries in the OpenType `fvar` table. Should be ASCII-only, and no whitespace allowed, e.g., ‘MyFontVar-BoldCondensedItalic’. Do not confuse with postscriptFullName.\n\n‘The FontName generally consists of a family name (specifically, the one used for FamilyName), followed by a hyphen and style attributes in the same order as in the FullName.’\n\nMust be distinct from the static PostScript Font Name, or may cause a font conflict if both the static and variable font are installed by a user. It is recommended that it be Variations PostScript Name Prefix (ID 25), followed by a hyphen, followed by the style name (ASCII, no spaces).[OpenType spec: name ID 6](https://learn.microsoft.com/typography/opentype/spec/name#nid6)";

compatibleFullNames = "Sets `name` table ID 18, ‘Compatible Full Name’, a Mac-only name which is intended to be preferred over ID 4 (‘Full Name’). If not set, the value for `name` table ID 18 is calculated from Family Name plus space plus Style Name of the respective instance. ‘On the Macintosh, the menu name is constructed using the FOND resource. This usually matches the Full Name. If you want the name of the font to appear differently than the Full Name, you can insert the Compatible Full Name in ID 18.’\n**Caution:** since this may lead to a situation where Mac and Windows use different full names for the same font, it may break cross-platform interoperability of documents.\n[OpenType spec: name ID 18](https://learn.microsoft.com/typography/opentype/spec/name#nid18)";

WWSFamilyName = "WWS family name. Corresponds to OpenType `name` table ID 21. WWS stands for ‘Weight Width Slope’. Corresponds to the OpenType `name` table ID 21.\n\n‘Used to provide a WWS-conformant family name in case the entries for IDs 16 (preferredFamilyName) and 17 (preferredSubfamilyName) do not conform to the WWS model. (That is, in case the entry for ID 17 includes qualifiers for some attribute other than weight, width or slope.)’ Frequent use cases are family names that indicate optical sizes: ‘Examples of name ID 21: “Minion Pro Caption” and “Minion Pro Display”. (Name ID 16 would be “Minion Pro” for these examples.)’\n[OpenType spec: name ID 21](https://learn.microsoft.com/typography/opentype/spec/name#nid21)";

unitsPerEm = "全角のユニット数です。PostScript形式（CFF形式）のOpenTypeフォントでは通常1000ユニットで、TrueType形式のOpenTypeフォントでは16から16348までの2の累乗の数字です（一般的には2048）。ここで指定された数字がフォントサイズの計算の基準として使われます。現在のUPMより小さい値を入力すると、出力されたフォントはそれだけ大きく現れ、逆のケースでは小さく現れます。このパラメータはUPMの値を変えるだけで、フォントのデータを拡大縮小はしません。拡大縮小したい場合は、「UPM変更（デザイン拡大縮小）」（Scale to UPM）を使用してください。";

styleNames = "フォントのスタイル名またはフォントのサブファミリー名です。OpenTypeのnameテーブルID 2に該当します。\n\n「フォントのサブファミリー名はフォントのファミリー名（nameテーブルID 1）と併用され、同じファミリー名を共有する別のフォントグループと区別されます。これはスタイルとウエイトのバリエーションのみに使用されるべきです。」";

WWSSubfamilyName = "WWS Subfamily name. Corresponds to the OpenType `name` table ID 22.\n\n‘Used in conjunction with ID 21, this ID provides a WWS-conformant subfamily name (reflecting only weight, width and slope attributes) in case the entries for IDs 16 and 17 do not conform to the WWS model. […] Examples of name ID 22: “Semibold Italic”, “Bold Condensed”. (Name ID 17 could be “Semibold Italic Caption”, or “Bold Condensed Display”, for example.)’ For name IDs 16 and 17, see the entries for preferredFamilyName and preferredSubfamilyName, respectively.\n[OpenType spec: name ID 22](https://learn.microsoft.com/typography/opentype/spec/name#nid22)";

uniqueID = "フォント固有の識別子です。OpenTypeテーブルID 3に該当します。";

variationsPostScriptNamePrefix = "PostScript Name Prefix for Variable Fonts. Corresponds to name ID 25 in the OpenType `name` table. For processing of a variable font instance, e.g., in a PDF, a specific PostScript name is calculated automatically, based on the PostScript Font Name, axis tags, and axis positions (design space coordinates). This constructed PostScript name cannot be longer than 127 characters. If no prefix is provided, the US English string for typographic (‘preferred’) family name (name ID 16) will be used, minus any characters not within ASCII A-Z, a-z and 0-9.\n\nMicrosoft: used as ‘family prefix in the PostScript Name Generation for Variation Fonts algorithm. The character set is restricted to ASCII-range uppercase Latin letters, lowercase Latin letters, and digits. All name strings for name ID 25 within a font, when converted to ASCII, must be identical.’\n\nAdobe: ‘Including a Variations PostScript Name Prefix string (name ID 25) in a font could be useful in the following cases:\n- if the US English typographic family name, US English named instance fvar subfamilyNameID, or the number of axis descriptors in the font could tip the length of the generated PostScript names to over 127 characters, or\n- if the US English typographic family name contains accented or other characters that when removed by the algorithm ... could cause confusion or even ambiguity in PostScript names. For example, both typographic family names “André Sans” and “Andró Sans” resolve to family prefix “AndrSans”, an ambiguity that could be avoided by providing Variation PostScript Name Prefixes “AndreSans” and “AndroSans” in the fonts.’\n[OpenType spec: name ID 25](https://learn.microsoft.com/typography/opentype/spec/name#nid25)";

"Propagate Anchors" = "コンポーネントグリフへのtopとbottomアンカーの複製の有無を切り替えます。コンポーネントの参照元のグリフにtopやbottomアンカーがあり、コンポーネントグリフに既にこれらが揃っていない場合、アンカーが自動的にインポートされます。こうすることでコンポーネントグリフでもmarkフィーチャーやmkmkフィーチャーが正しく機能します。標準では有効になっています。このパラメータの想定する用途は、コンポーネントグリフでのmarkとmkmkフィーチャーの無効化です。";

"Export Mac Name Table Entries" = "Macintoshのnameテーブルの出力の有無を切り替えます。初期状態では出力されますが、それを阻止したい場合にこのパラメータを使います。";

"Export Folder" = "フォント出力ダイアログで指定されている出力先にサブフォルダーを作成します。このパラメータで指定する文字列では、ファイル・フォルダ名で禁止されている文字は使用しないでください（半角コロンなど）。";

"Export PostProcessing Script" = "A path to a script that is run after exporting a font. In the script, you have access to the `Font`, `Instance` and `FinalFontPaths`. Use the token `{{{filepath}}}` to specify a path relative to the ‘.glyphs’ file.";

"Use Arabic Presentation Form Unicodes" = "アラビア文字の位置依存字形や合字に対し、Unicodeアラビア表示形のブロックのコードポイントを適用します。";

"meta Table" = "Add a meta (‘Metadata’) table to your font export:\n- **dlng** (Design languages): languages or scripts of the primary user audiences for which the font was designed. This value may be useful for selecting default font formatting based on content language, for presenting filtered font options based on user language preferences, or similar applications involving the language or script of content or user settings.\n- **slng** (Supported languages): languages or scripts that the font is capable of supported. This value may be useful for font fallback mechanisms or other applications involving the language or script of content or user settings. The declarations provided by the `slng` value should be the same as or a superset of those provided by `dlng`. Implementations that use `slng` values in a font may choose to ignore Unicode-range bits set in the OS/2 table.\n\nEach of the entries takes a comma-separated list of `ScriptLangTag` entries. Each `ScriptLangTag` is a hyphen-concatenated string for language, script and region (ISO 3166-1, Alpha-2), compliant to IETF BCP 47, but only script is required. E.g., `Cyrl` for Cyrillic, `sr-Cyrl` for Serbian written in Cyrillic, and `sr-Cyrl-BA` for Serbian written with Cyrillic in Bosnia and Herzegovina.\n[OpenType spec: meta](https://learn.microsoft.com/typography/opentype/spec/meta)\n[Languages, scripts and regions](https://www.iana.org/assignments/language-subtag-registry/language-subtag-registry)";

"TTFFamilyZonesThreshold" = "The PPM size until which Family Alignment Zones are applied. For adding family alignment zones, add a TTFZones parameter to *Font Info > Font* rather than *Font Info > Master* and make sure the number of defined zones is the same in both places.";

"Keep Kerning in one Lookup" = "Will attempt to fit all ‘pair adjustment’ kerning into the first GPOS lookup.\n\nThis is a workaround for a bug in Microsoft apps where kerning outside the first lookup is ignored. If turned off, Glyphs will default to separating kerning into lookups based on the glyph categories.";

"Italic Style Linking" = "In the STAT table of variable fonts, adds a Format 3 (style linking) AxisValue for the Italic (ital) axis, linking the Regular (ital=0) to the Italic (ital=1). Should **not** be added to (exclusively) italic fonts. Use this parameter for forcing or suppressing the style linking rather than relying on the built-in automation.";

"Export vmtx Table" = "Forces or suppresses the export of a `vmtx` (‘Vertical Metrics’) table. Can be useful if you have top and bottom sidebearings set in your glyphs, but want to export a horizontal variant of your font only.\n[OpenType spec: vmtx](https://learn.microsoft.com/typography/opentype/spec/vmtx)";

"Decompose Brace Layers" = "In variable font exports, decompose components that point to glyphs with intermediate layers a.k.a. ‘brace layers’. Default is on.";

"Ignore custom GlyphData file" = "If set, will ignore the content of a GlyphData.xml next to the .glyphs file, or in an Info subfolder next to the .glyphs file.";

"Fit Curve Panel Settings" = "Use this parameter to store the minimum and maximum percentages for the *Fit Curve* panel in the right sidebar. As parameter value, use two numbers, separated by a comma, e.g., ‘57, 72’. Once set, the parameter value will pick up changes you make in the *Fit Curve* UI.";

"Export TrueType Hints" = "If set, will force export of TrueType hinting (default). Can be used for suppressing TrueType hints when its boolean value is turned off.";

"Export PostScript Hints" = "If set, will force export of PostScript hinting (default). Can be used for suppressing PostScript hints when its boolean value is turned off.";

"variableStyleNames" = "Style name used for variable fonts.\n\nThis can be useful when (static) instance names are reused with different static family names (e.g., ‘Bold’ in ‘Myfamily Condensed’ and ‘Bold’ in ‘Myfamily’), which would otherwise cause duplicate entries in the `fvar` table.";

"Export DSIG Table" = "Toggles the export of the `DSIG` table.";

"TTFIgnoreStems" = "Ignores the stems.";

"Use case marks for double marks" = "By default, Glyphs uses .case variants of accents to build double accents. This parameter can be used to disable this.";

"Include in fvar" = "If unset, the instance will not be added to the `fvar` table.";
"Export as Static Font" = "If unset, the instance will not be exported as a static font. This is useful when it is needed in a variable font (e.g. to control the `STAT` table)";
"Include in Variable Font" = "If unset, the instance will not be considered when exporting a variable font. Will only be exported as a static font";
"Include in STAT" = "If unset, the instance is ignored when building the `STAT` table.";
"Keep GlyphOrder" = "Do not reorder any glyphs (except the `.notdef`)";
